Why is Mark Rothko an Important Artist?

author Kenney Mencher   1 год. назад
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The Case For Mark Rothko | The Art Assignment | PBS Digital Studios

This is a case for Mark Rothko. Rectangles after rectangles after rectangles. Rothko was a truly prolific artist who found his groove painting hazy swatches of color and stuck with it until the very end. Maybe you've wondered what the point of it all is, or why he did seemingly the same thing over and over again. Here's your answer. Stay tuned for cases for other artists, living and dead! -- Follow us elsewhere for the full Art Assignment experience! Tumblr: http://theartassignment.com Response Tumblr: http://all.theartassignment.com Twitter: http://twitter.com/artassignment Instagram: http://instagram.com/theartassignment/ Facebook: http://www.facebook.com/theartassignment and don't forget Reddit!: http://www.reddit.com/r/TheArtAssignment/

Rothko materials and techniques lesson at MoMA teen conservation course | AT THE MUSEUM

How did Rothko achieve the soft, brushy edges in his paintings? Members of the teen conservation course "Take Care" learn from paintings conservator Ellen Davis about the materials and techniques used by Mark Rothko. Subscribe for our latest videos, and invitations to live events: http://mo.ma/subscribe Explore our collection online: http://mo.ma/art Plan your visit in-person: http://mo.ma/visit Watch other episodes of MoMA's AT THE MUSEUM series: https://www.youtube.com/playlist?list=PLfYVzk0sNiGGvV2cYQkY1ol2gOZVwazLh For more on MoMA Teens programs, check out: Teens.MoMA.org Instragram.com/MoMATeens Watch more videos about MoMA Conservation: https://www.youtube.com/playlist?list=PLfYVzk0sNiGEgFGeTqyFNk7g7o3rBrh37 #art #moma #museum #modernart #nyc #artist #rothko #behindthescenes #atthemuseum #howtopaint#artschool #markrothko #conservation #learntopaint #abstractart

Rothko, No. 210/No. 211 (Orange)

Mark Rothko, No. 210/No. 211 (Orange), 1960, oil on canvas, 175.3 x 160 cm (Crystal Bridges Museum of American Art). Speakers: Dr. Margi Conrads and Dr. Steven Zucker

Kate Rothko: about my father Mark. Part two. Video by Maria Teresa de Vito

Kate Rothko introduce us to her father Mark exhibition in Rome (October 6th 2007 January 6th 2008) curated by Oliver Wick and produced by PalaExpo and Artemisia. The first exhibition that spread the knowledge of his work in our Country has been the one presented in the Venice Biennale in 1958, the corpus of paintings from the room devoted to the artist at that time, is now back in Italy after 50 years. The tradition of the Italian Renaissance, and above all its frescoes, had a remarkable influence on the series of mural commissions pertaining to Rothkos classic period. In fact, he explored its possibilities also in his Surrealist works, in which he gradually perfected the technique of applying extremely thin layers of colour, or washes. The exhibition ends with the artists last works, the Black on Gray paintings, a group that marks the climax of an oeuvre that steadily became more austere and moved towards new artistic horizons that were in direct relationship with the viewer. (O. Wick) Cinematography: Massimo Nunnari Music: Federico Laterza

How to paint like Mark Rothko – No. 16 (Red, Brown, and Black) (1958) | IN THE STUDIO

Learn how to paint like artist Mark Rothko, a major figure of the New York School in the decades following the Second World War. MoMA’s IN THE STUDIO instructor Corey D’Augustine explains the techniques behind Rothko’s “Color Field” paintings. Explore the techniques of other New York School painters like de Kooning, Rothko, and Pollock in MoMA's new free, online course, "In the Studio: Postwar Abstract Painting." Sign up: http://mo.ma/inthestudio Subscribe for our latest videos: http://mo.ma/subscribe Explore our collection online: http://mo.ma/art Plan your visit in-person: http://mo.ma/visit The Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black) Abstract Expressionist New York The Museum of Modern Art, October 3, 2010--April 11, 2011 MoMA.org/abexny Filmed by Plowshares Media Images courtesy of Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York Music by Chris Parrello Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz © 2010 The Museum of Modern Art #art #moma #museum #modernart #nyc #education #artist #markrothko #rothko #abstract #abstractexpressionism

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