Peder Mørk Mønsted: A collection of 284 paintings (HD)

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Fritz Thaulow: A collection of 157 paintings (HD)

Fritz Thaulow: A collection of 157 paintings (HD) Description: "Norwegian painter Frits Thaulow was born in 1847 and traveled throughout Europe. Though famous for his landscape painting, he is also known for combining Realism and Impressionism in his work. Born in a small town in Norway, Frits Thaulow was the son of a wealthy chemist. His father’s money gave him the chance to work with some of the leading artists of his time. Thaulow worked with several tutors and painters to perfect his art. Early in his career, Thaulow studied maritime art and planned to work in the field, but he later found himself interested in landscape art. After traveling between Norway and France for several years, Thaulow made the permanent move to France, where he lived and worked for the last few years of his life. Thaulow moved to Paris early in his career and worked on a number of paintings. Though Realism was popular in Norway, Paris was the center of the Impressionist movement. When he attempted to paint Impressionist landscapes, he found himself incorporating realistic elements from his childhood. Art historians now often regard the artist’s work as a combination of Realist and Impressionist elements. Those elements are clear inHorses Watering at the Bridge at Montreiul sur Mer. The interesting lines and pale color choices are clearly the work of an Impressionist, while the realistic look of the horses and the houses on the shore fall into the Realism movement. Another of his famous pieces is Summer Landscape with a Bridge at Beaulieu, which centered on a small creek. In 1880, Thaulow left Paris and returned to Norway, where he lived for more than a decade. While in France, he learned many Impressionist techniques that he later brought to his home country. Thaulow often focused on the landscapes and cities near his hometown. He completed a series of paintings of skiers on the slopes of a small town before moving back to Paris. Moving to France helped Thaulow expand his paintings to include French settings. He created the pieces The Battery and At Quimperle later in his career. Thaulow spent the last fourteen years of his life living in Paris and painting the French countryside as well as recreating memories from his home country. By combining elements of Realism and Impressionism in his landscapes, Thaulow created his own movement, and he’s responsible for introducing the Impressionist style to Norway." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!

Ivan Shishkin: A collection of 352 paintings (HD)

Ivan Shishkin: A collection of 352 paintings (HD) Description: "The works of this outstanding artist enjoy vast popularity in Russia; the best of them have become the classics of Russian landscape painting. During 40 years of his artistic activity Ivan Shishkin produced hundreds of paintings, thousands of studies and drawings and a large number of engravings. For contemporaries, Shishkin’s personality embodied Russian nature itself; they called him “forest tzar”, “old pine tree”, and “lonely oak”. Ivan Ivanovich Shishkin was born into the family of a merchant. His father, a self-made and broad-minded man, after long hesitations, supported his son's desire to become an artist. In 1852-1856, Shishkin studied in the Moscow School of Painting and Sculpture, in 1856-1860, he continued his studies in St. Petersburg, in the Academy of Arts. He made rapid progress and got all the awards the Academy offered. Having received a Major Gold Medal for two pictures with the same name View of Valaam Island. Kukko. (1860) and an Academy grant for studies abroad, Shishkin spent 3 years (1862-1865) in Germany, Switzerland, Czech, France, Belgium and Holland. Gradually he got disappointed in his foreign teachers and European authorities in landscape painting. Now he felt free and independent and longed to return home, to Russia. During his stay abroad Shishkin engaged in lithography and etching. His numerous pen drawings caught the eye of the Dusseldorf public and critics by their virtuoso hatching and filigree treatment of detail. In 1865, Shishkin painted his View near Dusseldorf for which he was awarded the title of Academician and which was shown at the 1867 World Fair in Paris. In 1865, he returned to Russia and settled in St. Petersburg, where he joined the Itinerants’ Society of Traveling Exhibitions (Peredvizhniki). One of his first masterpieces Noon in the Neighbourhood of Moscow (1869) critics called “song of joy”. He always preferred to draw daytime scenes, full of sunlight and life. Pine Forest in Viatka Province (1872), Rye (1878), Path in a Forest (1880), Oaks (1887), Coniferous Forest. Sunny Day. (1895). His scrupulous reproduction of nature stood in sharp contrast to the academic canons of landscape painting. For his loving approach to detail some critics called his works colored pictures, which lack of life. But despite such attention to details Shishkin’s paintings do not fall apart, but give full and finished impression. Shichkin had a troubled private life, twice he fell in love and married and twice his wives died. His sons also died. But never Shishkin allowed his sorrows appear on his canvases. His last work is Mast-Tree Grove (1898). He died in his studio at the easel with newly begun canvas. Among the Russian landscape painters Shishkin was the staunchest and most consistent exponent of the materialistic aesthetics – to depict nature in all its pure, unadorned beauty. His role in Russian art did not lose its significance even in the years, which saw the appearance of splendid landscapes by Isaac Levitan, Valentin Serov and Constantin Korovin. Despite the fact that he espoused different aesthetic principles and advocated a different artistic system, Shishkin enjoyed an indisputable authority among young Russian painters of the late 19th century. The new generation did not fail to acknowledge him as a thoughtful and masterful portrayer of Russian nature." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!

ALEXEI ZAITSEV - PINTOR RUSO Música LUDOVICO EINAUDI "Passagio"

Alexei Zaitsev es un pintor ruso . Trabajó en una revista rusa como ilustrador y en 1990 comenzó a mostrar su obra en diversas exposiciones, convirtiéndose en uno de los pintores más famosos de su país.

Деревенский пейзаж. Пленэр. Живопись маслом

Пишу деревенский пейзаж в полдень Живопись маслом, темперой, акрилом. По вопросам приобретения картин пишите valera.vorona@gmail.com. Для записи на индивидуальные мастер-классы, занятия online по скайпу пишите valera.vorona@gmail.com. Для записи на пленэры пишите valera.vorona@gmail.com. Мой сайт: https://artvoronin.com Мой канал на facebook: https://www.facebook.com/artvoronin Instagram: https://www.instagram.com/art.voronin/ Email: valera.vorona@gmail.com

Albert Bierstadt: A collection of 404 paintings (HD)

Albert Bierstadt: A collection of 404 paintings (HD) Description: "Albert Bierstadt (American, 1830–1902), a landscape painter who focused on the American West, was born in Solingen, Germany. His family immigrated to Massachusetts in 1833, when he was just two years old, but he returned to Germany to study at the Düsseldorf School of Painting in 1853. While in Germany, he roomed with painter Worthington Whittredge; the two traveled Europe together, and, while in Switzerland, Bierstadt sketched the inspiration for Lake Lucerne. This painting was exhibited by the National Academy of Design in New York in 1858, and led to his being elected to the National Academy in 1860. The artist taught briefly in Germany after finishing school. He moved back to the United States, and traveled west with surveyor Frederick W. Lander in 1859. While there, Bierstadt sketched much of what he saw, and turned many of those sketches into oil paintings. Along with his brothers Charles and Edward, Bierstadt opened a photography studio in New York in 1860, which closed six years later, in 1866. He the traveled west again in 1863 with author Fitz Hugh Ludlow, and continued to return to the West for inspiration as time went on. Bierstadt painted pictures on oversized canvases that romanticized the Rocky Mountains, the Yosemite Valley, and the Native American tribes. In 1867, Bierstadt married Ludlow’s former wife Rosalie. In 1882, his studio was destroyed in a fire along with many of his sketches. Over his lifetime, he painted at least 500 paintings, including The Last of the Buffalo and Yosemite Valley, both of which have been featured on postage stamps. The artist also mentored William Bliss Baker, another landscape painter. Bierstadt was a member of the Hudson River School, a group of like-minded artists. Mount Bierstadt in Colorado is named after him. The artist died in Irving, NY, in 1902." Feel free to subscribe!

Peder Mørk Mønsted: A collection of 284 paintings (HD)

Description: "Peder Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859. He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen. Here he studied at the Royal Academy of Art between 1875 and 1878, and was taught figure painting by Julius Exner (1825-1910). Here too he would have come across the work of artists such as Christen Kobke (1810-1848), an outstanding colourist and Peter Christian Skovgaard (1817-1875), a romantic nationalist painter, a knowledge of whose work is seen in the Danish landscapes and beech forests of Mønsted’s. As early as 1874, at the age of 15, he took part in the December Exhibition in Copenhagen. In 1878 Mønsted left the Academy to study under the artist Peder Severin Krøyer (1851-1909).

Mønsted travelled extensively throughout his long career, being a frequent visitor to Switzerland, Italy and North Africa. In 1883 Mønsted travelled to Paris where he worked with William-Adolphe Bouguereau (1825-1905) for four months. As early as 1884, he visited North Africa returning later in the decade. The early years of the 20th century saw Mønsted returning to Switzerland, the south of France and Italy, the latter being the source of inspiration for many Scandinavian artists of the 19th century. The war years curtailed Mønsted’s travel to Norway and Sweden, however the 1920’s and 1930’s saw him return to the Mediterranean. From 1879 to 1941 he exhibited regularly at the annual Charlottenborg Exhibition. Throughout his long career, Mønsted continued to paint the Danish landscape and coastline. His is a romantic, poetic view of nature; he was an artist who depicted the grandeur and monumental aspect of the landscape, with a remarkable eye for detail and colour. He was also known for a number of portraits, including that of King George I of Greece. "

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