Thomas Moran: A collection of 342 paintings (HD)

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Alfred Thompson Bricher: A collection of 251 paintings (HD)

Alfred Thompson Bricher: A collection of 251 paintings (HD) Description: "Largely self-taught, Alfred Thompson Bricher was a businessman in Boston from 1851 until 1858 when he became a professional artist. He studied in his leisure hours at the Lowell Institute in Boston and also attended an academy in Newburyport, Massachusetts. In the 1860s Bricher followed his contemporaries to the popular vistas of the White Mountains. There, particularly at North Conway, he studied and painted with Albert Bierstadt, William Morris Hunt, Gabriella Eddy, and Benjamin Champney. Bricher was a prolific artist and in 1860-61 alone records 20 finished paintings. Attesting to his popularity as an artist, as well as the popularity of his subject matter, are numerous chromolithographs made after his work. In 1868 he moved from Boston to New York. In 1874 he became a member of the American Society of Painters in Water Colors. He was elected an associate of the National Academy of Design in 1879. During the 1870s he devoted himself almost entirely to marine painting and spent much of his time exploring the coast of Maine, Narragansett Bay, and the Jersey Shore. His paintings were exhibited at the Boston Athenaeum, the Boston Art Club, the National Academy of Design, the Brooklyn Art Association, the Pennsylvania Academy of the Fine Art, and the Art Institute of Chicago." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!

"Горные вершины" Антон Рубинштейн - Художник Томас Моран

Американский художник Томас Моран (1837-1926) британского происхождения из Школы реки Гудзон, в чьих работах часто изображаются Скалистые горы. Вместе с такими художниками, как Альберт Бирштадт, Томас Хилл и Уильям Кит, Моран зачастую причисляется к «Школе Скалистых гор» пейзажистов, поскольку подавляющее большинство пейзажей Дикого Запада было создано этой группой в конце XIX века. Томас был самым известным, самым талантливым и популярным в семье художников Моран. Семья Моранов эмигрировала из Англии в 1844 году и поселилась в штате Пенсильвания. Свою художественную карьеру он начал в подростковом возрасте в качестве подмастерья в филадельфийской фирме резчиков по дереву Scattergood & Telfer. После двух лет обучения у них создал собственные иллюстрации и акварельные работы, а в 1860-е годы начал создавать литографии ландшафтов вокруг Великих озёр. Во время обучения в Англии в 1862 г. Моран познакомился с работами Тёрнера, и подход Тёрнера к использованию цветов и выбору ландшафтов оказал влияние на Морана. В 1870-е и 1880-е годы во многих журналах и подарочных изданиях появились гравюры Морана. Развенчивая современное искусство на смертном одре на 90-м году жизни, он говорил: «Я вижу свои будущие пейзажи на потолке и мысленно пишу их ..» Моран скончался в Санта-Барбаре в 1926 году.

Brushstrokes (Part 1) - The Early Masters

How do brushstrokes influence a work of art? What are the different brushstrokes available to artists and which Masters made them famous? This groundbreaking video by artist Jill Poyerd traces the history of artistic brushwork from the pre-Renaissance era up to the 1800s. This is part one of a 3-part series. Music Credits (Part 1): Night Scenes by TheJRSSoundDesign Simple Piano by TheJRSSoundDesign Night Scene by TheJRSSoundDesign Above the Clouds by TheJRSSoundDesign Emotional Flashback by TheJRSSoundDesign Simple Piano by TheJRSSoundDesign

Thomas Moran

Thomas Moran (12 février 1837 - 25 août 1926) de Bolton (Angleterre) est un peintre de l'Hudson River School qui a souvent peint les Montagnes rocheuses. La vision de Thomas Moran des paysages de l'Ouest américain fut déterminant pour la création du parc national de Yellowstone. Ses peintures qui avaient saisi la grandeur et la diversité des paysages de Yellowstone furent présentées au Congrès américain par les initiateurs du projet du parc. On fait quelquefois référence à Thomas Moran avec Albert Bierstadt, Thomas Hill et William Keith comme l'école des Montagnes rocheuses à cause des nombreux paysages de l'ouest peints par ce groupe. La Thomas Moran House à East Hampton est un National Historic Landmark. Le mont Moran dans le parc national du Grand Teton est nommé d'après lui. Un de ses tableaux, The Three Tetons (1895), de la collection de la Maison Blanche a été accroché dans le bureau ovale sous la présidence de Barack Obama. Musique : Max Bruch Kol Nidrei, adagio on Hebrew Melodies Op.47

Paul Cézanne, Landscapes, Camille Pissarro - Origins of Modern Art 5

Cézanne's development towards a post-impressionist vision on landscape painting See my playlist on art: https://www.youtube.com/playlist?list=PL61C3B135E7EBE785 Paintings: 00:13 Paul Cézanne 1865 - Landscape near Aix-en-Provence. Private collection 01:07 Camille Pissarro 1873 - The Haystack, Pontoise. Private collection 01:25 Camille Pissarro 1873 - Self Portrait, 56 x 46,5 cm. Musée d'Orsay, Paris 01:55 Camille Pissarro 1874 - Portrait of Cezanne. Private Collection 02:47 Camille Pissarro 1874 - Landscape near Pontoise, 61 × 81 cm. Private collection (Sammlung Oskar Reinhart am Römerholz) 03:26 Camille Pissarro 1877 - Orchard with Flowering Trees, Spring, Pontoise, 65.5 x 81 cm. Musée d'Orsay, Paris 03:53 Paul Cézanne 1877 - Fruit Garden / Orchard in Pontoise. Private collection 05:16 Paul Cézanne 1879 - Bridge of Maincy (Pont de Maincy), 59 × 72 cm. Musée d'Orsay, Paris 05:48 Camille Pissarro 1875 - The Little Bridge of Pontoise (Le Petit Pont, Pontoise), 65 x 81 cm. Städtliche Kunsthalle, Mannheim 06:23 Camille Pissarro c1900 - Apple Trees in Bloom, Éragny. John C. Whitehead Collection, Courtesy of Achim Moeller Fine Art, New York. 06:41 Paul Cézanne 1900/04 - The Grounds of the Château-Noir, 90,7 × 71,4 cm. National Gallery, London 07:27 Paul Cézanne 1885/87 - The Jas de Bouffan, 60x71cm. National Gallery in Prague 08:29 Paul Cézanne c1868 - Road in Provence. Museum of Fine Arts, Montreal 08:50 Paul Cézanne 1873 - The House of Dr. Gached in Auvers, 46 x 38 cm. Musée d'Orsay, Paris 09:00 Paul Cézanne 1873 - Houses Along a Road, 60 x 73.5 cm (23 5/8 x 28 7/8 in). The State Hermitage Museum, St. Petersburg 09:10 Paul Cézanne 1900/06 - Bend in Road, 81.3 x 64.8 cm (32 x 25 1/2 in). National Gallery of Art, Washington 09:44 Albrecht Altdorfer 1510 - St. George in the Forest, 22.5 × 28.2 cm (8.9 × 11.1 in). Alte Pinakothek, Munich 10:05 Albrecht Altdorfer c1518-20 - Landscape with a Footbridge, oil on vellum and wood, 42.1 x 35.5 cm. National Gallery, London 10:30 Nicolas Poussin c1673 - Landscape with a Man Scooping Water from a Stream, 63 x 78 cm. National Gallery London 10:41 Paul Cézanne 1885 - View of L'Estaque and Chateaux d'If, 71 x 57.1 cm. Private Collection 10:50 Paul Cézanne c1882 - The Bay of L'Estaque from the East. 53.98 cm x 65.09 cm (21 1/4 in. x 25 5/8 in). Memorial Art Gallery of the University of Rochester, US 10:55 Claude Monet 1884 - Bordighera. 65 x 80.8 cm (25 5/8 x 31 13/16 in). The Art Institute of Chicago, Illinois 11:11 Caspar David Friedrich 1829 - The Oak Tree in the Snow, 71 × 48 cm. Alte Nationalgalerie, Berlin 11:25 Paul Cézanne 1866 - Landscape, 36.6 x 40.5 cm. Private collection 11:30 Paul Cézanne 1894 - Forest, 116.2 x 81.3 cm (45 13/16 x 32 in). Los Angeles County Museum of Art, US 11:37 Gustave Courbet 1864 - The Oak at Flagey (also known as The Oak of Vercingetoris). Murauchi Art Museum (Japan) 11:59 Claude Monet 1918-19 - Weeping Willow, 99.7 × 120 cm (39.3 × 47.2 in). Kimbell Art Museum in Fort Worth, Texas 12:17 Paul Cézanne 1876 - Landscape at The Jas De Bouffan, 45 x 54 cm. Private Collection 12:32 Paul Cézanne c1889 - The Large Pine, 84x92 cm. Museu de Arte se São Paulo Assis Chateaubriand, São Paulo Brazil 12:42 Paul Cézanne 1890/95 - Large Pine and Red Earth, 72x91cm. The State Hermitage Museum, St. Petersburg 12:48 Vincent van Gogh.1889 - The Mulberry Tree, Saint Rémy. Norton Simon Museum Pasadena, California, US 13:31 Paul Cézanne 1897 - Mont Sainte-Victoire, Bibémus, 65 x 81 cm. Baltimore Museum of Art, Baltimore, us 13:37 Paul Cézanne c1897 - Bibémus: The Red Rock, 91 x 66 cm. Musée du Louvre, Paris 13:49 Paul Cézanne 1898-1900 - Quarry Bibémus, 65 × 81 cm. Museum Folkwang, Essen, Germany 14:44 Paul Cézanne 1890 - Reflections in the Water. Private Collection

Thomas Moran: A collection of 342 paintings (HD)

Description: "Thomas Moran was born in 1837 in Bolton, Lancashire to two handloom weavers. The rapid industrialization of nineteenth century England soon mechanized the weaving process and forced Thomas Moran's parents out of their jobs, at which point the whole family was moved to Kensington, Philadelphia, just outside of Philadelphia.

At the age of sixteen, Thomas Moran became an apprentice to a Philadelphia wood engraving firm, Scattergood & Telfer. It was in this position that he began to paint and draw seriously, working diligently on his skills as both a watercolorist and an illustrator. In this he had help and support from his brother Edward, who was an associate of the marine painter James Hamilton.

In the early 1860, Thomas Moran traveled to Lake Superior, where he painted and sketched the landscape of the Great Lakes. Back in Philadelphia he sold lithographs of the Great Lakes before setting off on another trip, this time to London, to see the works of the famed British landscape and marine painter JMW Turner. Thomas Moran replications of Thomas Moran's work so impressed the director of the National Gallery that he was given a private room to work in. Upon returning to the U.S., Moran wanted to go west again and paint but had to wait for the right opportunity.

That opportunity came in the form of Ferdinand V. Hayden's 1871 Geological Survey Expedition to what is now Yellowstone National Park. Thomas Moran was hired, along with photographer William Henry Jackson, to document the landscape of the region. He could not have chosen a better trip or companion, as the combined talents of Moran and Jackson in documenting the geysers, hot springs, canyons and cliffs of the "Yellow Stone Territory" would be instrumental in persuading Congress to set the land aside as a National Park. It was also the beginning of a fruitful partnership, as Thomas Moran would accompany Jackson again on Major John Wesley Powell's expedition to the west in 1873.

It was on this trip that Thomas Moran painted his two most famous works, "The Grand Canyon of the Yellowstone" and "The Chasm of the Colorado," both of which were purchased (for a previously unheard-of sum of $10,000 each) by Congress to be displayed in the Capitol in Washington. With the money he was earning from his newfound fame, Thomas Moran again traveled to Europe, this time to Venice, where he purchased a gondola and shipped it back to the United States in order to use it as a model for a variety of Venice scenes he produced after 1890.

Thomas Moran moved west permanently in his old age, settling in Santa Barbara, CA and traveling to Acoma and Laguna pueblos to paint the scenery and lifestyle of the native peoples. He died in 1926 of natural causes."

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