Thomas Moran: A collection of 342 paintings (HD)

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Alfred Thompson Bricher: A collection of 251 paintings (HD)

Alfred Thompson Bricher: A collection of 251 paintings (HD) Description: "Largely self-taught, Alfred Thompson Bricher was a businessman in Boston from 1851 until 1858 when he became a professional artist. He studied in his leisure hours at the Lowell Institute in Boston and also attended an academy in Newburyport, Massachusetts. In the 1860s Bricher followed his contemporaries to the popular vistas of the White Mountains. There, particularly at North Conway, he studied and painted with Albert Bierstadt, William Morris Hunt, Gabriella Eddy, and Benjamin Champney. Bricher was a prolific artist and in 1860-61 alone records 20 finished paintings. Attesting to his popularity as an artist, as well as the popularity of his subject matter, are numerous chromolithographs made after his work. In 1868 he moved from Boston to New York. In 1874 he became a member of the American Society of Painters in Water Colors. He was elected an associate of the National Academy of Design in 1879. During the 1870s he devoted himself almost entirely to marine painting and spent much of his time exploring the coast of Maine, Narragansett Bay, and the Jersey Shore. His paintings were exhibited at the Boston Athenaeum, the Boston Art Club, the National Academy of Design, the Brooklyn Art Association, the Pennsylvania Academy of the Fine Art, and the Art Institute of Chicago." --- SUBSCRIBE: Facebook: Google+: Contact: --- Thanks for all support!

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"Let Go Of All Negative Energy" Meditation Music, The Deepest Healing Music, Relax Mind Body

"Let Go Of All Negative Energy" Meditation Music, The Deepest Healing Music, Relax Mind Body by Meditation & Healing. This is 3 hours soothing meditation and healing music perfectly designed for deepest healing, sleep meditation, removing all negative energy, subconscious blockages, inner peace, healing, positive energy, relief stress and depression, attract positive energy, relax body mind and soul, relaxation, meditation, healing, resting, studying and sleep. You can also use this music while you are sleeping, relaxing, meditating, healing and studying too. Please like share & subscribe. Thank you. Have a great time :) Welcome to Meditation and Healing You can find variety of music that will help you to relax on our Channel – Meditation and Healing. They include relaxing music that will help you to relief stress. Or relief yourself from negative feelings like anxiety and help to enhance positive energy in you. It can also give your meditation techniques a boost if you use this type of soothing music as you meditate. It can also have healing capacity where you will learn how to find inner peace and heal yourself within with the capability of music. © Meditation and Healing All rights reserved

Jean Simeon Chardin: A collection of 174 paintings (HD)

Jean-Siméon Chardin: A collection of 174 paintings (HD) Description: "A renowned French artist of the 18th Century, Chardin was well known for his still-life works and genre paintings. His refined and realistic style had a lasting influence on some of the greatest artists of the 19th and 20th Centuries, including Henri Matisse (1869 – 1954) and Paul Cézanne (1839 – 1906). His depictions were of simple subjects, but masterful in their execution, as exemplified by his works now in the Uffizi Gallery, Boy Playing Cards and, Girl with Racket and Shuttlecock. His training was under French history painters, Pierre Jacques Cazes and Noël-Nicolas Coypel (1690 – 1734), though he trained mostly from his own studies. According to the Getty Museum Biography on Chardin the painter got his start executing signposts for tradesmen and detailing the works of other artists. He was documented in 1724 as a member of the Academy of Saint Luc in Paris, but was discovered by Nicolas de Largillière (1656 – 1746), a portrait painter. Largillière recommended Chardin’s entry into the Royal Academy of Painting (Académie Royale de Peinture et de Sculpture) in 1728. The works that garnered his acceptance into the Academy were, La Raie (The Ray) and, The Buffet, displaying his realistic representations and established his nickname as the “painter of animals and fruit.” From here Chardin developed his skill of still-life further and grew a love of painting genre works. The painter’s reputation escalated him into gainful patronage, including a pension from King Louis XV (1710 – 1774). His works continually evolved from simple still-life painting into highly detailed representations of everyday life in French society. After 1770, Chardin began to lose his eyesight, but still progressed as an artist with his adoption of pastel painting. The artist once said of painting, “We use colors, but we paint with our feelings,” and for him still-life subjects had a life of their own. As the 19th/20th Century French novelist, Marcel Proust (1871 – 1922) wrote, "We have learned from Chardin that a pear is as living as a woman, that an ordinary piece of pottery is as beautiful as a precious stone." Proust also wrote of the artist, “Everyday life will charm you once you have absorbed Chardin’s painting for a few days like a lesson. Then, having understood the life of his painting, you will have discovered the beauty of life." --- BOOKS about Jean-Siméon Chardin: [1] CHARDIN by Pierre Rosenberg --- [2] DISCOVERIES: CHARDIN: AN INTIMATE ART by Pierre Rosenberg & Helene Prigent --- [3] CHARDIN by Marianne Roland Michel --- MUSIC: Kevin MacLeod - Mesmerize Mesmerize by Kevin MacLeod is licensed under a Creative Commons Attribution license ( Source: Artist: SUBSCRIBE: Facebook: Google+: Contact: SUPPORT MY WORK AT: LIST OF ARTISTS already posted on LearnFromMasters: --- Thank you so much for your support! #LearnFromMasters #FrenchPainter #BaroqueMovement #OnlineArtGallery #CollectionOfPaintings #OilPaintings #ArtHistory #JeanSimeonChardin

Paul Cézanne, Landscapes, Camille Pissarro - Origins of Modern Art 5

Cézanne's development towards a post-impressionist vision on landscape painting See my playlist on art: Paintings: 00:13 Paul Cézanne 1865 - Landscape near Aix-en-Provence. Private collection 01:07 Camille Pissarro 1873 - The Haystack, Pontoise. Private collection 01:25 Camille Pissarro 1873 - Self Portrait, 56 x 46,5 cm. Musée d'Orsay, Paris 01:55 Camille Pissarro 1874 - Portrait of Cezanne. Private Collection 02:47 Camille Pissarro 1874 - Landscape near Pontoise, 61 × 81 cm. Private collection (Sammlung Oskar Reinhart am Römerholz) 03:26 Camille Pissarro 1877 - Orchard with Flowering Trees, Spring, Pontoise, 65.5 x 81 cm. Musée d'Orsay, Paris 03:53 Paul Cézanne 1877 - Fruit Garden / Orchard in Pontoise. Private collection 05:16 Paul Cézanne 1879 - Bridge of Maincy (Pont de Maincy), 59 × 72 cm. Musée d'Orsay, Paris 05:48 Camille Pissarro 1875 - The Little Bridge of Pontoise (Le Petit Pont, Pontoise), 65 x 81 cm. Städtliche Kunsthalle, Mannheim 06:23 Camille Pissarro c1900 - Apple Trees in Bloom, Éragny. John C. Whitehead Collection, Courtesy of Achim Moeller Fine Art, New York. 06:41 Paul Cézanne 1900/04 - The Grounds of the Château-Noir, 90,7 × 71,4 cm. National Gallery, London 07:27 Paul Cézanne 1885/87 - The Jas de Bouffan, 60x71cm. National Gallery in Prague 08:29 Paul Cézanne c1868 - Road in Provence. Museum of Fine Arts, Montreal 08:50 Paul Cézanne 1873 - The House of Dr. Gached in Auvers, 46 x 38 cm. Musée d'Orsay, Paris 09:00 Paul Cézanne 1873 - Houses Along a Road, 60 x 73.5 cm (23 5/8 x 28 7/8 in). The State Hermitage Museum, St. Petersburg 09:10 Paul Cézanne 1900/06 - Bend in Road, 81.3 x 64.8 cm (32 x 25 1/2 in). National Gallery of Art, Washington 09:44 Albrecht Altdorfer 1510 - St. George in the Forest, 22.5 × 28.2 cm (8.9 × 11.1 in). Alte Pinakothek, Munich 10:05 Albrecht Altdorfer c1518-20 - Landscape with a Footbridge, oil on vellum and wood, 42.1 x 35.5 cm. National Gallery, London 10:30 Nicolas Poussin c1673 - Landscape with a Man Scooping Water from a Stream, 63 x 78 cm. National Gallery London 10:41 Paul Cézanne 1885 - View of L'Estaque and Chateaux d'If, 71 x 57.1 cm. Private Collection 10:50 Paul Cézanne c1882 - The Bay of L'Estaque from the East. 53.98 cm x 65.09 cm (21 1/4 in. x 25 5/8 in). Memorial Art Gallery of the University of Rochester, US 10:55 Claude Monet 1884 - Bordighera. 65 x 80.8 cm (25 5/8 x 31 13/16 in). The Art Institute of Chicago, Illinois 11:11 Caspar David Friedrich 1829 - The Oak Tree in the Snow, 71 × 48 cm. Alte Nationalgalerie, Berlin 11:25 Paul Cézanne 1866 - Landscape, 36.6 x 40.5 cm. Private collection 11:30 Paul Cézanne 1894 - Forest, 116.2 x 81.3 cm (45 13/16 x 32 in). Los Angeles County Museum of Art, US 11:37 Gustave Courbet 1864 - The Oak at Flagey (also known as The Oak of Vercingetoris). Murauchi Art Museum (Japan) 11:59 Claude Monet 1918-19 - Weeping Willow, 99.7 × 120 cm (39.3 × 47.2 in). Kimbell Art Museum in Fort Worth, Texas 12:17 Paul Cézanne 1876 - Landscape at The Jas De Bouffan, 45 x 54 cm. Private Collection 12:32 Paul Cézanne c1889 - The Large Pine, 84x92 cm. Museu de Arte se São Paulo Assis Chateaubriand, São Paulo Brazil 12:42 Paul Cézanne 1890/95 - Large Pine and Red Earth, 72x91cm. The State Hermitage Museum, St. Petersburg 12:48 Vincent van Gogh.1889 - The Mulberry Tree, Saint Rémy. Norton Simon Museum Pasadena, California, US 13:31 Paul Cézanne 1897 - Mont Sainte-Victoire, Bibémus, 65 x 81 cm. Baltimore Museum of Art, Baltimore, us 13:37 Paul Cézanne c1897 - Bibémus: The Red Rock, 91 x 66 cm. Musée du Louvre, Paris 13:49 Paul Cézanne 1898-1900 - Quarry Bibémus, 65 × 81 cm. Museum Folkwang, Essen, Germany 14:44 Paul Cézanne 1890 - Reflections in the Water. Private Collection

Thomas Moran: A collection of 342 paintings (HD)

Description: "Thomas Moran was born in 1837 in Bolton, Lancashire to two handloom weavers. The rapid industrialization of nineteenth century England soon mechanized the weaving process and forced Thomas Moran's parents out of their jobs, at which point the whole family was moved to Kensington, Philadelphia, just outside of Philadelphia.

At the age of sixteen, Thomas Moran became an apprentice to a Philadelphia wood engraving firm, Scattergood & Telfer. It was in this position that he began to paint and draw seriously, working diligently on his skills as both a watercolorist and an illustrator. In this he had help and support from his brother Edward, who was an associate of the marine painter James Hamilton.

In the early 1860, Thomas Moran traveled to Lake Superior, where he painted and sketched the landscape of the Great Lakes. Back in Philadelphia he sold lithographs of the Great Lakes before setting off on another trip, this time to London, to see the works of the famed British landscape and marine painter JMW Turner. Thomas Moran replications of Thomas Moran's work so impressed the director of the National Gallery that he was given a private room to work in. Upon returning to the U.S., Moran wanted to go west again and paint but had to wait for the right opportunity.

That opportunity came in the form of Ferdinand V. Hayden's 1871 Geological Survey Expedition to what is now Yellowstone National Park. Thomas Moran was hired, along with photographer William Henry Jackson, to document the landscape of the region. He could not have chosen a better trip or companion, as the combined talents of Moran and Jackson in documenting the geysers, hot springs, canyons and cliffs of the "Yellow Stone Territory" would be instrumental in persuading Congress to set the land aside as a National Park. It was also the beginning of a fruitful partnership, as Thomas Moran would accompany Jackson again on Major John Wesley Powell's expedition to the west in 1873.

It was on this trip that Thomas Moran painted his two most famous works, "The Grand Canyon of the Yellowstone" and "The Chasm of the Colorado," both of which were purchased (for a previously unheard-of sum of $10,000 each) by Congress to be displayed in the Capitol in Washington. With the money he was earning from his newfound fame, Thomas Moran again traveled to Europe, this time to Venice, where he purchased a gondola and shipped it back to the United States in order to use it as a model for a variety of Venice scenes he produced after 1890.

Thomas Moran moved west permanently in his old age, settling in Santa Barbara, CA and traveling to Acoma and Laguna pueblos to paint the scenery and lifestyle of the native peoples. He died in 1926 of natural causes."






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