Marie Laurencin: A collection of 98 paintings (HD)

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Kees van Dongen: A collection of 290 works (HD)

Kees van Dongen: A collection of 290 works (HD) Description: "Kees van Dongen was born on January 1, 1877, in Delfshaven near Rotterdam. Early in his artistic endevours, he was inspired by the Impressionists and influenced by their style. Van Dongen studied at the academy of Rotterdam but did not finish his studies there. He earned his livelihood working for the magazines "Groene" and "Rotterdam Neusblad." His racy drawings of life around the habor were published with great scandal. In 1897, he went to Paris, where he lived in Bateau-Lavoir. There he worked as an illustrator for "Revoue Blanche" and "L'assiette au Beurre." In 1903, van Dongen exhibited his works publicly for the first time, and later he showed with Matisse in the Vollard Gallery. The Dutch painter became associated with the group "Fauves" (wild beasts) in 1905. Nonetheless, his affinity for the German Expressionists can be recognized in his works. Indicative of his work is the intense use of color, which increased the expressiveness of his paintings. In 1908, he became a member of the group of German Expressionists "Die Brücke" (the Bridge) and exhibited with them. At the end of World War I, van Dongen was discovered by the upperclass. He then painted many portraits, becoming a chronicler of the 1920's and 1930's. His expressive portraits, likenesses, and landscapes received much appreciation and achieved success through his unique coloring. Kees van Dongen died on May 28, 1968, in Monte Carlo." --- MUSIC: Kevin MacLeod - Almost in F - Tranquillity Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution license ( Source: Artist: SUBSCRIBE: Facebook: Google+: Contact: SUPPORT MY WORK AT: (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: --- Thank you so much for your support!

William Trost Richards: A collection of 373 works (HD)

William Trost Richards: A collection of 373 works (HD) Description: "William T. Richards was forced at the young age of 13 to drop out of school to help financially support his family. He worked as a design illustrator for a gas lamp company. However, Richards was able to return to his studies later and worked privately with Paul Weber in 1850. From 1853-56 he traveled through Florence, Rome, and Paris with fellow artists Paul Weber and William Stanley Haseltine. When he returned to America he settled in Germantown and married. For many years Richards was preoccupied with literary themes in landscapes and painted true to nature with accurate detail that reveals the influence of the Pre-Raphaelites. After a brief visit to Britain, Richards became increasingly more interested in marine paintings, for which he is best known. In 1874 he bought one of several homes around the Newport area. He painted around the Aquidneck and Conanicut area until his death in 1905. Richards worked outdoors as much as possible and incorporated grandeur, light and atmosphere in all of his painting." --- SUBSCRIBE: Facebook: Google+: Contact: SUPPORT MY WORK AT: (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: --- Thank you so much for your support!

Marie Laurencin 瑪麗·勞倫 (1883-1956) Expressionism Cubism French Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912). She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and famed lesbian writer Natalie Clifford Barney. She had heterosexual and lesbian affairs. During the First World War, Laurencin left France for exile in Spain with her German-born husband, Baron Otto von Waëtjen, since through her marriage she had automatically lost her French citizenship. The couple subsequently lived together briefly in Düsseldorf. After they divorced in 1920, she returned to Paris, where she achieved financial success as an artist until the economic depression of the 1930s. During the 1930s she worked as an art instructor at a private school. She lived in Paris until her death. Laurencin's works include paintings, watercolors, drawings, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen. While her work shows the influence of Cubist painters Pablo Picasso and Georges Braque, who was her close friend, she developed a unique approach to abstraction which often centered on the representation of groups of women and female portraits. Her work lies outside the bounds of Cubist norms in her pursuit of a specifically feminine aesthetic by her use of pastel colors and curvilinear forms. Laurencin continued to explore themes of femininity and what she considered to be feminine modes of representation until her death. Her works include paintings, watercolors, drawings, and prints. In 1983, on the one hundredth anniversary of Laurencin's birth, the Musée Marie Laurencin opened in Nagano Prefecture, Japan. The museum is home to more than 500 of her works and an archive. 瑪麗·勞倫(Marie Laurencin)(1883年10月31日 - 1956年6月8日)是法國畫家和版畫家。 作為與“d'Or”相關的立體派成員,她成為巴黎前衛的重要人物。 勞倫斯出生在巴黎,在那裡她被母親撫養,生活很大一段時間。 18歲時,她在塞夫爾學習瓷畫。然後,她回到巴黎,繼續在AcadémieHumbert進行藝術教育,並將她的重點改為油畫。 在二十世紀初,勞倫斯是巴黎前衛的重要人物。畢加索畢加索圓圈的成員,以及與“d'Or”相關的立體主義者,如Jean Metzinger,Albert Gleizes,Robert Delaunay,Henri le Fauconnier和Francis Picabia,與他們一起參加了沙龍之旅(1910-1911) )和沙龍汽車(1911-1912)。她與詩人紀堯姆Apollinaire一起浪漫地參與,經常被認定為他的繆斯。此外,勞倫斯與美國外籍和著名的女同志作家納塔莉·克利福德·巴尼(Natalie Clifford Barney)的沙龍有著重要的聯繫。她有異性戀女同性戀事務 在第一次世界大戰期間,勞倫斯離開法國流亡西班牙與她的德國出生的丈夫奧托·馮·維爾滕男爵,因為通過她的婚姻,她已經自動失去了法國公民身份。夫婦隨後在杜塞爾多夫短暫住在一起。在1920年離婚後,她回到了巴黎,在那裡她作為一名藝術家取得了經濟上的成功,直到20世紀30年代的經濟衰退。在二十世紀三十年代,她在私立學校擔任藝術指導員。她住在巴黎直到她去世。 勞倫斯的作品包括繪畫,水彩畫,繪畫和印刷品。她被稱為少數女性立體畫家之一,Sonia Delaunay,Marie Vorobieff和Franciska Clausen。 雖然她的作品展現了立體畫家畢加索和她的親密朋友喬治·布拉克的影響,一種獨特的抽象方法,通常以婦女和女性肖像群體的代表為中心。她的作品超出了立體派規範的範圍,她通過使用柔和的色彩和曲線形式來追求特別的女性美學。勞倫斯繼續探索女性氣質的主題,以及她認為是女性化的表現形式,直到她去世。她的作品包括繪畫,水彩畫,繪畫和印刷品。 1983年,勞倫斯出生一百週年紀念日,瑪麗·勞倫斯博物館在日本長野縣開幕。博物館擁有500多件作品和檔案。

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Marie Laurencin: A collection of 98 paintings (HD)

Description: "Marie Laurencin (French 1883–1956) was a French painter, designer, and illustrator who found success despite the male-dominated art world of her time. She began her studies in porcelain design at the Ecole de Sèvres factory before moving on to painting at the Académie Humbert in Paris. At the time, between 1903 and 1904, classes were free for women. While there she met Georges Braque and Francis Picabia, who introduced her to their inner circle of artists, including those who participated in the Le Bateau-Lavoir workshop in Montmartre, the quarter of Paris in which Laurencin was born.

In 1907, she exhibited at the Salon des Indépendants. After a series of shows, including an exhibition alongside Robert Delaunay at the Galerie Barbazanges in Paris, Laurencin participated in the New York Armory Show in 1913.

Laurencin lived in Spain during the First World War, but eventually moved back to Paris and began developing her own style, focusing on figural and portrait work in delicate pastels and airy shading. The 1920s proved to be an important period for Laurencin, as her refined style and palette heightened her popularity as a portraitist among the elite.

By the early 1930s, she was experimenting with still lifes and landscapes. Laurencin was also commissioned to design stage sets and costumes for several French ballets. She died in Paris in 1956, but her work has been honored in numerous exhibitions; most recently in a retrospective at the Musée Marmottan in Paris."




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