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Vangelis - El Greco 1998
When I walk through an art gallery or museum, I seldom think about the flaws that might be lurking in the pieces or the paintings, but when your collection contains works that are hundreds or thousands of years old, a little repair work often needs to be done. As a matter of fact, the Conservation Department at the Nelson-Atkins Museum recently faced an interesting challenge. Restoration expert Scott Heffley took on the task of making a certain Old Masters painting look a little fresher before it went to Spain for an exhibition commemorating El Greco 400 years after his death. KCPT’s Mike Murphy spent hours documenting Scott’s delicate touch on the Penitent Magdalene and producer Ashley Holcroft has edited the footage for your viewing pleasure.
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El Greco: A collection of 206 Paintings (HD) [Mannerism] (Late Renaissance)
Δομήνικος Θεοτοκόπουλος (Doménikos Theotokópoulos)
- Born: 1541; Crete, Greece
- Died: 07 April 1614; Toledo, Spain
- Active Years: 1563 - 1614
- Nationality: Spanish, Greek
- Art Movement: Mannerism (Late Renaissance)
- Painting School: Cretan School
- Field: painting, sculpture, architecture
- Influenced by: Byzantine Art
- Influenced on: Expressionism, Cubism, Eugene Delacroix, Edouard Manet, Der Blaue Reiter (The Blue Rider), Paul Cezanne, Pablo Picasso, Franz Marc, Jackson Pollock, Roberto Montenegro, Jose Clemente Orozco, Francisco Pacheco
- Teachers: Titian
- Friends and Co-workers: Giulio Clovio
Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος [ðoˈminikos θeotoˈkopulos]; October 1541 – 7 April 1614), most widely known as El Greco ("The Greek"), was a painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname,[a][b] a reference to his Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος, Doménikos Theotokópoulos, often adding the word Κρής Krēs, Cretan.
El Greco was born in the Kingdom of Candia, which was at that time part of the Republic of Venice, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570 he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings.
El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers such as Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting.
Born in 1541, in either the village of Fodele or Candia (the Venetian name of Chandax, present day Heraklion) on Crete,[c] El Greco was descended from a prosperous urban family, which had probably been driven out of Chania to Candia after an uprising against the Catholic Venetians between 1526 and 1528. El Greco's father, Geórgios Theotokópoulos (d. 1556), was a merchant and tax collector. Nothing is known about his mother or his first wife, also Greek. El Greco's older brother, Manoússos Theotokópoulos (1531 – 13 December 1604), was a wealthy merchant and spent the last years of his life (1603–1604) in El Greco's Toledo home.
El Greco received his initial training as an icon painter of the Cretan school, a leading center of post-Byzantine art. In addition to painting, he probably studied the classics of ancient Greece, and perhaps the Latin classics also; he left a "working library" of 130 books at his death, including the Bible in Greek and an annotated Vasari.
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#Mannerism (Late Renaissance) [RENAISSANCE ART] : https://www.youtube.com/playlist?list=PLOZVqusZxS_R-6z6EiRJoHlqBNULhPdZQ
#BAROQUE [Post Renaissance Art] : https://www.youtube.com/playlist?list=PLOZVqusZxS_TFGVWRL6nG5V3C9j3h5xnp
#HIGH_RENAISSANCE [Renaissance Art]: https://www.youtube.com/playlist?list=PLOZVqusZxS_TAW8yBAWDSpPeV-B4EUnUe
#EARLY_RENAISSANCE [RENAISSANCE ARTS] : https://www.youtube.com/playlist?list=PLOZVqusZxS_Rl5u1xeWi3_hNWVbd99rp8
#PROTO_RENAISSANCE [Renaissance Art] : https://www.youtube.com/playlist?list=PLOZVqusZxS_R6P61q7DOnuZgGGsqw-tN3
#Medieval_Art : https://www.youtube.com/playlist?list=PLOZVqusZxS_T7YNe7cv7fLpg6Hej3NiSh
THE HIGHLIGHT: https://www.youtube.com/playlist?list=PLOZVqusZxS_RMuvIyAIEplral4SxUwJt8
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