Alexis Simon Belle (1674–1734) A collection of paintings 4K Ultra HD

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Alphonse de Neuville (1835-1885) A collection of paintings 4K Ultra HD

Alphonse de Neuville (1835-1885) was a French Academic painter who studied under Eugène Delacroix. His dramatic and intensely patriotic subjects illustrated episodes from the Franco-Prussian War, the Crimean War, the Zulu War and portraits of soldiers. Some of his works have been collected by the Hermitage Museum in St. Petersburg and by the Metropolitan Museum in New York. Born Alphonse-Marie-Adolphe Deneuville to wealthy parents at Saint-Omer, Pas-de-Calais, earned his degree of bachelier ès-lettres, and in spite of family opposition, he entered (1856) the naval school at Lorient; it was there that his artistic instincts started. He was discouraged by several painters of repute, but he was admitted to work in the studio of François-Edouard Picot; he did not remain there long. He was painting by himself when he produced his first picture, The Fifth Battalion of Chasseurs at the Gervais Battery (Malakoff). In 1860 Neuville painted an Episode of the taking of Naples by Garibaldi for the Artists' Club in the rue de Provence, and sent to the Paris Salon in 1861 The Guard Chasseurs in the Trenches of the Mamelon Vert. He participated in illustrating the Hetzel editions of Twenty Thousand Leagues Under the Sea. He also illustrated Le Tour du monde and Guizot's History of France. At the same time he painted a number of remarkable pictures: The Attack in the Streets of Magenta by Zouaves and the Light Horse (1864), A Zouave Sentinel (1865), The Battle of San Lorenzo (1867), and Dismounted Cavalry crossing the Tchernaia (1869). In these he showed peculiar insight into military life. His full power was reached after the Franco-Prussian War of 1870–71. The long-term French reaction was Revanchism: a deep sense of bitterness, hatred and demand for revenge against Germany, especially because of the loss of Alsace and Lorraine. Paintings that emphasized the humiliation of the defeat came in high demand, such as "the Spy" by de Neuville. He then aimed at depicting in his works the episodes of that conflict, and began by representing the Bivouac before Le Bourget (1872). His fame spread rapidly, and was increased by The Last Cartridges (1873), memorializing an episode involving the Blue Division of the French marines, in which it is easy to discern the vast difference between the conventional treatment of military subjects, as practised by Horace Vernet, and that of a man who had lived the life that he painted. In 1874 the Fight on a Railroad was not less successful, and was followed by the Attack on a House at Villersexel (1875) and the Railway Bridge at Styring (1877). In 1878 the painter exhibited (not at the Great Exhibition) Le Bourget, the Surprise at Daybreak, The Intercepted Despatch-bearer, and a considerable number of drawings. He also exhibited in London some episodes of the Zulu War. Fifty thousand people paid to see his impression of The Defence of Rorke's Drift (1880), which the infant Art Gallery of New South Wales in Sydney paid a large sum to acquire. In 1881 he was made an officer of the Légion d'honneur for The Cemetery of Saint-Privat and The Despatch-bearer and the "Huns in the Battle of Chalon". During these years Neuville was at work with Édouard Detaille on an important though less artistic work, The Panorama of Rézonville. Neuville died in Paris on May 18, 1885. At the sale of his works the state purchased for the Palais du Luxembourg the Bourget and the Attack on a Barricaded House, with a watercolor The Parley, and a drawing of a Turco in Fighting Trim. https://en.wikipedia.org/wiki/Alphonse-Marie-Adolphe_de_Neuville Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1

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Caesar in Britain (55 B.C.E.)

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Eye of the Forrest - SPRAY PAINT ART by Skech

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Alexis Simon Belle (1674-1734) was a French portrait painter, known for his portraits of the French and Jacobite nobility.

As a portrait artist, Belle's style followed that of his master François de Troy, Hyacinthe Rigaud, and Nicolas de Largillière. He was the master of the painter Jacques-André-Joseph-Camelot Aved,

The 17th day of January 1674 was baptized Simon-Alexis, son of Jean Belle, master painter, and of Anne de Champs his wife, the godfather Simon-Alexis Sourdeval, son of Guillaume Sourdeval; the godmother Marie Mercier, daughter of Louis Mercier. The godmother declared she could not sign. Louis Sourdeval, Jean Belle.

Belle studied first under his father, then continued his training in the studio of François de Troy,, a painter at the court of King James II in exile at Saint-Germain-en-Laye. He began to produce work at Saint-Germain in the years 1698 to 1701. This was a period of peace between France and Great Britain, and Jacobites could cross the English Channel carrying portraits of James Edward Stuart and his sister Princess Louisa Maria. Troy was then James II's only court painter and needed the help of Belle, his best student, to produce all the portraits ordered from him.

In August 1700, Belle won the Prix de Rome, but went on working at Saint-Germain instead of travelling to Italy.

On 12 November 1701, Belle married the miniature painter Anne Chéron, when he was described as peintre ordinaire du Roy d'Angleterre (painter in ordinary to the King of England). As King James II had died a few weeks before, this was a reference to his son James Edward, who had been proclaimed king of England, Scotland and Ireland by King Louis XIV.

Belle became the principal painter to the Jacobite court, where he and his wife settled and worked. After war broke out again between Great Britain and France in 1702, their portraits of James Edward Stuart and his sister the Princess Royal continued to be smuggled across the Channel, and Belle did other work for members of the court and for the English Augustinian convent in Paris. Several copies exist of his portrait of James Edward Stuart in armour and standing beside the English Channel, on which there are warships, pointing towards the cliffs of Dover.

Belle's most famous portrait of James Edward Stuart dates from 1712, just before he left Saint Germain for Lorraine, and shows him in a tent in a military outfit. This became the standard image of the Old Pretender and was much copied. In an engraving of the painting by François Chéreau, Belle is described as peintre de S. M. Brit. In 1713, Chéreau also engraved a portrait by Belle of Princess Louisa Maria (who had died in 1712) which is now in Sizergh Castle, Cumbria.

After the Pretender had left Saint Germain, Belle stayed there and painted some of the diplomats connected with the Treaty of Utrecht. However, in 1714 he joined James Edward's new court at Bar-le-Duc.

During the years 1716 to 1719, Belle received many commissions from Jacobites in exile after the unsuccessful rising of 1715. By then, the Old Pretender was himself living in Italy.

When Belle died in 1734, he was described as "painter to the king in his Royal Academy of Painting and Sculpture, comptroller of clergy stipends and comptroller of poultry", so his royal connections had evidently led to offices of profit under the crown.

Belle died at Paris in 1734. His funeral is again recorded in some detail in the parish register of the church of Saint-Sulpice, as quoted in Eugène Piot's Le Cabinet de l'amateur. This states that Belle was buried on 22 November 1734.

Apart from describing him as painter to the king in the Royal Academy of Painting and Sculpture, comptroller of clergy stipends and of poultry, the register entry says that Belle was the husband of Marie-Nicole Hortemels and had died at his house in the rue du Four on the previous day, 21 November. His age is given as "about 60 years, 10 months, 8 days", and it is also recorded that the funeral was attended by Clément Louis Marie Anne Belle and "N.

Belle, privately baptized, aged 7 years", sons, and by "Fréderic-Eustache-Auguste Hortemels, copperplate engraver, Denis Hortemels, bookseller, Nicolas Tardien and Charles-Nicolas Cochin, engravers to the king, both brothers-in law to the deceased".

Belle's son Clément-Louis became a history painter. When he died in 1806, he was described as "Rector of the Special School of Painting, Sculpture, Architecture and Engraving, and Professor of Design to the Imperial Manufactury of Gobelins".

https://en.wikipedia.org/wiki/Alexis_Simon_Belle

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