97 Like 0 Dislike
Joaquin Sorolla y Bastida: A collection of 149 paintings (HD) Description: "Joaquín Sorolla y Bastida began to study painting at the age of fifteen in his native Valencia, Spain. At the age of eighteen, he went to Madrid, where he copied Old Master paintings in the Museo del Prado. Four years later, Sorolla won a grant to study painting in Rome; there he developed a distinct ability for depicting the effects of light. When Sorolla returned to Madrid, his paintings were in great demand. The paintings he exhibited at the 1901 Exposition Universelle in Paris were very well received. Contributing to his international fame, the Hispanic Society of America commissioned him to paint decorative scenes for its library in New York City in 1911. J. Paul Getty purchased ten of Sorolla's Impressionist beach scenes at auction in 1933. He later explained, "One could hardly imagine greater contrasts than those between a Van Goyen and a Sorolla--but, as I say, I bought what I liked." Sorolla's widow left a large collection of his paintings to the people of Spain. The collection is now a museum, the Museo Sorolla, in the artist's house in Madrid." Feel free to subscribe!
Peder Mørk Mønsted: A collection of 284 paintings (HD) Description: "Peder Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859. He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen. Here he studied at the Royal Academy of Art between 1875 and 1878, and was taught figure painting by Julius Exner (1825-1910). Here too he would have come across the work of artists such as Christen Kobke (1810-1848), an outstanding colourist and Peter Christian Skovgaard (1817-1875), a romantic nationalist painter, a knowledge of whose work is seen in the Danish landscapes and beech forests of Mønsted’s. As early as 1874, at the age of 15, he took part in the December Exhibition in Copenhagen. In 1878 Mønsted left the Academy to study under the artist Peder Severin Krøyer (1851-1909). Mønsted travelled extensively throughout his long career, being a frequent visitor to Switzerland, Italy and North Africa. In 1883 Mønsted travelled to Paris where he worked with William-Adolphe Bouguereau (1825-1905) for four months. As early as 1884, he visited North Africa returning later in the decade. The early years of the 20th century saw Mønsted returning to Switzerland, the south of France and Italy, the latter being the source of inspiration for many Scandinavian artists of the 19th century. The war years curtailed Mønsted’s travel to Norway and Sweden, however the 1920’s and 1930’s saw him return to the Mediterranean. From 1879 to 1941 he exhibited regularly at the annual Charlottenborg Exhibition. Throughout his long career, Mønsted continued to paint the Danish landscape and coastline. His is a romantic, poetic view of nature; he was an artist who depicted the grandeur and monumental aspect of the landscape, with a remarkable eye for detail and colour. He was also known for a number of portraits, including that of King George I of Greece. " --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
The conservation and restoration of a portrait of a young woman by William Merritt Chase by Baumgartner Fine Art Restoration
Marjorie Shelley, conservator at The Metropolitan Museum of Art in New York, explores how William Merritt Chase capitalized on the distinctive properties of pastel, manipulating this difficult and challenging medium according to his own artistic vision that combined modern methods with those of the past.
Part two of the groundbreaking three-part series on brushstrokes delves into the significant changes that occurred in the world of art throughout the 19th century. Many of the innovative brushstrokes developed by the masters during this time, set the foundation for the work and ideas seen throughout the 20th century and into today. Music Credits (Part 2): Piano Inspirational by TheJRSSoundDesign Simple Piano by TheJRSSoundDesign Simple Piano by TheJRSSoundDesign Beautiful Inspiring Piano by TheJRSSoundDesign Solo Piano Inspiration by Opus68
William Merritt Chase: A collection of 362 paintings (HD)
Description: "Born in 1849 in Indiana, William Merritt Chase showed artistic talent as a young boy. His family arranged for him to begin formal training in art at the age of eighteen with a local portrait painter in Indianapolis. In 1869 Chase went to New York, where for two years he was a student at the National Academy of Design. He moved briefly to St. Louis, as his family had relocated there, and in 1872, sponsored by contributions from a group of St. Louis art patrons, Chase went to Munich to attend the Royal Academy, something that had been his dream for years. In Munich he studied with Karl von Piloty, who helped him to perfect a quick, bold brushstroke and taught him the dramatic Munich “dark manner.” A few years later Chase abandoned this somber palette in favor of the lighter tones of French impressionism. He returned to New York in 1878 to teach at the Art Students League, a position he held until 1896, when he opened his own art school in the city. Suited to teaching by intellect and personality, he began a long and successful career. He traveled abroad continually, looking at new art and old—the paintings of Velázquez, Whistler, Sargent, as well as Japanese prints—eventually incorporating travel into his teaching career by taking his students abroad.
By 1874 Chase was established in his Tenth Street studio, located in a building that was a center for artists. His works often contain views of his studio, an aesthetic setting extravagantly furnished with art and decorative objects he had collected. In his studio, Chase painted, taught, and entertained other artists, students, and patrons. His early portraits and figural compositions show backgrounds that are loosely brushed, with abstract geometric arrangements of paintings, mirrors, and textiles as a foil for the figure, creating a lively counterpoint of straight and curving forms.
In 1886 Chase married Alice Gerson, who had been his model. Not only did he depict his wife frequently in his paintings, but also their many children. The family spent their summers in a large house in Shinnecock, Long Island, N.Y., and the fresh and sparkling outdoor scenes he painted there established Chase’s reputation as a superb landscape painter. Between 1891 and 1902 Chase directed a summer school in Shinnecock Hills, which became the most important outdoor art school in America.
He was elected president of the Society of American Artists in 1885, a position he held for the next ten years, and in 1890 he was elected academician in the National Academy of Design. Chase was a well-known and prolific artist. His paintings were admired in the United States and abroad for their luminous color, virtuoso brushstroke, and assured composition, and his work was exhibited widely, often winning prestigious awards. He was an influential teacher whose students included many of America’s noted modernist painters—Sheeler, O’Keeffe, Hartley, and Demuth among them. Besides founding the Chase School in New York, he traveled regularly to Philadelphia to teach at the Pennsylvania Academy of Fine Arts, and in his later years, taught summer classes in England, Spain, Holland, and Italy."
Feel free to subscribe!