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Eugene Boudin: A collection of 1163 works (HD) Description: "Louis Eugène Boudin's pint-sized paintings may not enjoy the same reputation as the more ambitious works by his star pupil Claude Monet, but their diminutive dimensions should not diminish their significance. Boudin introduced his fellow Le Havre resident to the pleasures of painting en plein air, which decided the future for talented young Claude. In this respect, and although he was technically a key precursor, we may consider Boudin among the founders of the Impressionist movement. Boudin participated in the first Impressionist exhibition in 1874, and also exhibited in the annual Salon that year. He did not participate in any subsequent Impressionist exhibitions, preferring instead to stick to the Salon system. It was only in his last decade of painting that Boudin experimented with the broken brushwork for which Monet and the rest of the Impressionists were known. The son of a sea captain who settled in Le Havre in 1835, Boudin met artists through his father's stationery and framing shop, which also sold artists' supplies. Jean-Baptiste Isabey (1767-1855), Constant Troyon (1810-1865) and Jean-François Millet (1814-1875) would come by and offer the young Boudin advice. However, his favorite art hero at the time was the Dutch landscapist Johan Jongkind (1819-1891). In 1850, Boudin received a scholarship to study art in Paris. In 1859, he met Gustave Courbet (1819-1877) and poet/art critic Charles Baudelaire (1821-1867), who took an interest in his work. That year Boudin submitted his work to the Salon for the first time and was accepted. Beginning in 1861, Boudin divided his time between Paris during the winter and the Normandy coast during the summer. His small canvases of tourists on the beach received respectable attention and he often sold these quickly painted compositions to the people who had been captured so effectively. Boudin loved to travel and set out for Brittany, Bordeaux, Belgium, Holland and Venice quite often. In 1889 he won a gold medal at the Exposition Universelle and in 1891 he became a knight of the Légion d'honneur. Late in life Boudin moved to the south of France, but as his health deteriorated he chose to return to Normandy to die in the region that launched his career as one of the maverick plein-air painters of his era." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
Clarence Gagnon: A collection of 135 works (HD) Description: "Clarence Alphonse Gagnon was a painter, draughtsman, engraver and illustrator who was born in Montreal on November 8, 1881. From 1897 to 1900, Gagnon studied drawing and painting under William Brymner at the Art Association of Montreal. In 1904, Gagnon left for Paris to work in the studio of Jean-Paul Laurens at the Académie Julian. He was able to distinguished himself early in his career by the fine quality of his engravings. Gagnon won a gold medal at the St. Louis Exhibition in 1904 and an honourable mention at the Salon des artistes français in Paris in 1905. From 1909 to 1914, Gagnon moved between Canada, France, and Norway; always working up the sketches he had made in Quebec. Gagnon became a member of the Royal Society of Canada and in 1910, became an associate member of the Royal Canadian Academy of Arts and a full member in 1922. In 1923, he received the Trevor Prize of the Salmagundi Club of New York. Between 1924 and 1936, Gagnon spent time in Paris and traveled throughout Europe. It was during this period that he illustrated a number of books, including Rouquette's, Le grand silence blanc (1929) and the deluxe edition of Louis Hémon's Maria Chapdelaine (1933), a story that celebrated Canadian frontier life. Upon his return to Quebec in 1936, the Université de Montréal awarded him an honorary doctorate. Clarence Gagnon died in Montreal on January 5, 1942. He was sixty-one years old." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
Many people daydream about traveling the world, but all of them have the same excuse - lack of money. Tomislav, after traveling the world for years with almost no money, shows how it is possible for everyone to do the same, if they really want to. Tomislav Perko, 29, is a travel writer from Croatia. After a career of a stockbroker, broke because of the financial crisis, he hits the road and turns it into his home. He uses alternative ways of traveling – hitchhiking, couchsurfing, working/volunteering, and manages to wander around the world with just a little bit of money in his pocket, meeting the most amazing people on the way. Five years later, he publishes a book “1000 Days of Spring” and goes around giving lectures about what it means to live on the road. Find out more on his website: http://tomislavperko.com/en/. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx
Vasily Polenov: A collection of 271 works (HD) Description: "Russian painter. He began a systematic study of drawing in 1856, first with the landscape painter Pavel Cherkasov (1834-1900), then from 1859 to 1861 with Pavel Chistyakov (1832-1919). He also took lessons with Chistyakov, whom he considered his most important teacher, in 1871 and early 1872, after finishing his academic course. From 1863 to 1871 Polenov studied at the St Petersburg Academy of Art, where he met members of the progressive wing of the Russian artistic intelligentsia, and occasionally in the faculty of law at St Petersburg University. The classical education he received at home, his academic training and lessons with Chistyakov led Polenov towards an 'exalted' history painting, although he personally inclined towards landscape. This dualism remained in Polenov's work for the duration, and not until the late 1880s and early 1890s did he achieve a stable relationship between the two forms. The whole of his student career and the initial postgraduate, scholarship period was largely taken up with historical works: from academic compositions, for example the Resurrection of Jairus's Daughter (1871; Pskov, Museum of History), for which he received the Grand Gold Medal and a travel bursary (in Germany and Italy, 1872-73, and France, 1873-76), to numerous pictures and sketches on subjects from antiquity and medieval history, executed in France or shortly after his departure from there, under the perceptible influence of Paul Delaroche (e.g. The Master's Right, 1874; Moscow, Tretyakov Gallery). At the same time he produced his first independent works, in the 1860s and early 1870s: landscapes in the surroundings of the Imochentsy estate in Karelia (e.g. Mountains, 1870; Moscow Tretyakov Gallery), and landscape studies and pictures executed from nature in Normandy in 1874 (e.g. Fishing Boat, Etretat; Moscow, Tretyakov Gallery). In 1876 he became an Academician. In 1882-95 he was professor of landscape painting at the School of Art in Moscow. He became interested in depictions of Christ and philosophical and religious questions. In 1905 he left the teaching staff of the Academy in protest against the massacre in St. Petersburg. In 1910-18 he managed the first folk-theatre in Moscow, and became active in the development of factory and village theatre." --- MUSIC: Kevin MacLeod - Drone in D Drone in D by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200044 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
Oil Painting Landscape Egyptian Village By 4 Colors With Yasser Fayad facebooc : https://www.facebook.com/yasser.fayad.58 page : https://goo.gl/wfJEom Colors used Phthalo blue Cadmium red Cadmium yellow Titanium white
Alexey Bogolyubov: A collection of 467 works (HD)
Description: "Bogolyubov was born in the Pomeranie village of Novgorod Gubernia. His father was retired colonel Pyotr Gavriilovich Bogolyubov. Bogolyubov's maternal grandfather was the well-known philosopher and social critic Alexander Radishchev.
In 1841, Alexey graduated from military school, serving in the Russian Navy and travelling with the fleet to many countries. In 1849, he started to attend classes of the Saint Petersburg Academy of Arts, where he studied under Maxim Vorobiev. The young painter was greatly influenced by Ivan Ayvazovsky. In 1853, he finished the Academy with a major Gold medal. He retired as a navy officer and was appointed an artist to the Navy headquarters.
From 1854 to 1860, he travelled around Europe and worked prolifically. In Rome, he was acquainted with Alexander Ivanov, who convinced Bogolyubov to focus more on drawing. In Düsseldorf, Bogolyubov took classes from the painter Andreas Achenbach. In Paris, he admired the artists of the Barbizon School. French painters Camille Corot and Charles-François Daubigny were good friends and collaborators with Bogolyubov. He also painted the frescoes in the Alexander Nevsky Cathedral.
Bogolyubov returned to Russia in 1860. He exhibited his works in the Academy and received the title of professor. For some time, he taught in the Academy. In the 1860s, he traveled along the Volga. His paintings lost all traces of Romanticism, replacing that element with staunch realism of the natural. In 1871 he was elected to the Imperial Academy of Arts.
From 1870, he became close to the Wanderers art movement, participated in all their exhibitions. He became a member of their board. Much older than most of the other members of the movement, he had reservations on their social ideas. In 1873, Bogolyubov left the Academy in solidarity with his fellow Itinerants. He even tried to create an alternative Russian Academy of Arts in Rome.
After 1873, Bogolyubov lived primarily in Paris, because of his heart condition. His house was like a Russian colony: frequent visitors included Ivan Turgenev, Ilya Yefimovich Repin, Vasily Polenov, Mark Antokolski, Vasili Vasilyevich Vereshchagin.
In 1885, Bogolyubov opened an art museum in Saratov, the Radischev Art Museum, named after his grandfather. It was opened to the general public seven years earlier than the Tretyakov Gallery in Moscow and fifteen years earlier than the Russian Museum in Saint Petersburg. The naming of the museum after the "first Russian revolutionary", Alexander Radishchev, was a direct challenge to the authorities: Bogolyubov had to endure a legal battle to get permission.
Bogolyubov died on 3 February 1896 in Paris. After his death, Bogolyubov left all his money and capital (around 200 thousand Russian rubles (approximately US$6 million) to the museum and its painting school. The school was opened after Bogolyubov's death and named Bogolyubov's Painting School (Боголюбовское Рисовальное Училище). Among painters who attended Bogolyubov's School were such important modernist painters as Victor Borisov-Musatov and Pavel Kuznetsov."
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