Alexey Bogolyubov: A collection of 467 works (HD)

author LearnFromMasters   10 мес. назад
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Alexej von Jawlensky: A collection of 690 works (HD)

Alexej von Jawlensky: A collection of 690 works (HD) Description: "Jawlensky only began his artistic training in 1889 in St. Petersburg after a career as an officer in the tsarist army. He studied under Ilja Repin who introduced him to Marianne von Werefkin and Helene Nesnakomoff, his later wife. Jawlensky accompanied these two to Munich in 1896 where they wanted to visit a private art school. Here Jawlensky met Wassily Kandinsky. The artist undertook several trips to France and was able to show ten paintings at the 'Salon d'automne' with the help of Sergej Djagilev. Jawlensky also met Henri Matisse for the first time. In summer 1908 he worked with Kandinsky, Marianne von Werefkin and Gabriele Münter in Murnau for the first time. There, the four artists developed the idea for the foundation of the 'Neue Künstlervereinigung München' to which they aligned with other artists. In December the first exhibition took place in Munich. Two years later the 'Blauer Reiter' was established as a new idea of co-operation. In 1913 Jawlensky participated in Herwarth Walden's first German autumn Salon in Berlin. When in 1914 world war I began, Jawlensky was expelled from Germany due to his Russian citizenship. He moved with his family and Marianne von Werefkin to Prex on Lake Geneva. And remained in Switzerland until 1921, where he began painting his abstract heads in 1918. His final move to Wiesbaden took place in 1921. An attack of arthritis in 1929 forced the artist to visit various spas at regular intervals. Jawlensky suffered from a progressing paralysis and had difficulties in painting. One year later the painter began the series of small-format 'Meditationen'. 72 of his works were confiscated in 1937 as "degenerate". Three years later in 1941 Jawlensky died in Wiesbaden. At the beginning Jawlensky's style was influenced by the Fauves, particularly by Matisse, but the artist soon discovered his own, Expressionist style, which is characterised by strong colours and simple forms. Later he turned to those calm, spiritualised and mystical images of the Human face, which are so typical of Jawlensky." --- MUSIC: Kevin MacLeod - Almost in F - Tranquillity Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100394 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

Julian Onderdonk: A collection of 182 paintings (HD)

Julian Onderdonk: A collection of 182 paintings (HD) Description: "Julian Onderdonk was born in San Antonio, Texas, to Robert Jenkins Onderdonk, a painter, and Emily Gould Onderdonk. He was raised in South Texas and was an enthusiastic sketcher and painter. As a teenager Onderdonk was influenced and received some training from the prominent Texas artist Verner Moore White who also lived in San Antonio at the time. He attended the West Texas Military Academy, graduating in 1900. At 19, with the help of a generous neighbor, Julian left Texas in order to study with the renowned American Impressionist William Merritt Chase. Julian's father, Robert, had also once studied with Chase. Julian spent the summer of 1901 on Long Island at Chase's Shinnecock School of Art. He studied with Chase for a couple of years and then moved to New York City to attempt to make a living as an en plein air artist. While in New York he met and married Gertrude Shipman and they soon had a son. Onderdonk returned to San Antonio in 1909, where he produced his best work. His most popular subjects were bluebonnet landscapes. Onderdonk died on October 27, 1922 in San Antonio. President George W. Bush decorated the Oval Office with three of Onderdonk's paintings. The Dallas Museum of Art has several rooms dedicated exclusively to Onderdonk's work. His art studio currently resides on the grounds of the Witte Museum." --- MUSIC: Kevin MacLeod - Mesmerize Mesmerize by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500005 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

William Trost Richards: A collection of 373 works (HD)

William Trost Richards: A collection of 373 works (HD) Description: "William T. Richards was forced at the young age of 13 to drop out of school to help financially support his family. He worked as a design illustrator for a gas lamp company. However, Richards was able to return to his studies later and worked privately with Paul Weber in 1850. From 1853-56 he traveled through Florence, Rome, and Paris with fellow artists Paul Weber and William Stanley Haseltine. When he returned to America he settled in Germantown and married. For many years Richards was preoccupied with literary themes in landscapes and painted true to nature with accurate detail that reveals the influence of the Pre-Raphaelites. After a brief visit to Britain, Richards became increasingly more interested in marine paintings, for which he is best known. In 1874 he bought one of several homes around the Newport area. He painted around the Aquidneck and Conanicut area until his death in 1905. Richards worked outdoors as much as possible and incorporated grandeur, light and atmosphere in all of his painting." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

Harold Septimus Power: A collection of 79 paintings (HD)

Harold Septimus Power: A collection of 79 paintings (HD) Description: "Harold Septimus Power (1877-1951), artist, was born on 31 December 1877 at Dunedin, New Zealand, son of Peter Power, English-born hatter, and his Scottish wife Jane, née Amers. After some art training in Melbourne he exhibited in 1899 with the Melbourne Art Club, winning both animal and landscape sections. Soon after, he moved to Adelaide where he worked as an illustrator for the Observer, the Register, the Critic and other papers. In 1904 he was commissioned by the trustees of the Art Gallery of South Australia to paint an animal picture ('After the day's toil') for 100 guineas. On 17 September he married Isabel Laura Butterworth (d.1935). In 1905-07 Power studied at the Académie Julian, Paris, then settled in London, becoming a member of the Royal Institute of Painters in Oils and the Society of Animal Painters, and exhibiting at the Royal Academy of Arts. His first one-man exhibition at the Guild Hall, Melbourne, in June 1913 displayed oils and watercolours of rural landscapes, used as backdrops for scenes of equine splendour and hunting which were to remain popular with both the local and international public and critics for the next thirty years. In 1917 Power was appointed official war artist with the Australian Imperial Force, with the honorary rank of lieutenant. His skills as an animal painter were apparent in such paintings as 'The First Divisional Artillery goes into action before Ypres July 31st 1917' which was acclaimed at the Royal Academy in 1919. Between the wars Power lived intermittently in Melbourne and overseas. His departures from and returns to Australia were marked by significant exhibitions, usually featuring a much-praised Royal Academy work as centrepiece. He maintained his selling appeal even through the Depression when prices of five hundred guineas remained not uncommon. In 1927 he was commissioned with W. B. McInnes to paint the ceremonial opening of the Federal parliament. He executed various other State and Federal commissions including a mural, 'War', for the Public Library of Victoria (1924). Power's list of overseas achievements reads as impressively as that of any other contemporary Australian or English artist. He exhibited at the Royal Academy, at the Royal Scottish Academy, the Royal Institute of Painters in Oils, the Royal Society of Portrait Painters, the Royal Water Colour Association and the Paris Old Salon. Apologists for traditional art in Australia between the wars lauded Power's work for its nostalgic rural vision, reflecting the self-confidence, moral certainties and self-absorption of the Edwardian country-set. Arthur Streeton wrote of his rival's work: 'One is impressed first by a tremendous display of colour and a dauntless feeling of optimism … He displays remarkable knowledge and vigour in his paintings of animals'. Unlike Streeton, Power did not need to reorient his pictorial emphasis for differing markets in Australia and overseas. In 1934 his only one-man London exhibition was praised for its 'healthy orthodoxy of treatment'. At the height of his fame he was seen in a line of artistic descent from Landseer to Munnings. After George Lambert's death in 1930 Power was the acknowledged leader in Australia in equine subjects. By the mid-1940s however, his technical skill and subject matter were re-evaluated as unfashionable, as empty facility with the brush wasted on sentimental commonplaces and commercialism. Power died at Richmond, Melbourne, on 3 January 1951 and was buried with Presbyterian forms in Brighton cemetery. He was survived by his second wife Margery Isabel, née Desmazures, whom he had married in Adelaide on 5 September 1936, and by a son from each marriage. He is widely represented in the main Australian galleries. A major exhibition in Sydney in 1985 affirmed a renewed interest in Power's work." --- MUSIC: Kevin MacLeod - Enchanted Journey Enchanted Journey by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100799 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #AustralianPainter #OnlineArtGallery #CollectionOfPaintings #OilPaintings #ArtHistory #HaroldSeptimusPower

Armand Guillaumin: A collection of 497 works (HD)

Armand Guillaumin: A collection of 497 works (HD) Description: "Jean Baptiste Armand Guillaumin (French 1841–1927) is one of the original members of the group of artists who started Impressionism, though he did not achieve the fame and repute of his contemporaries. The artist was born in Paris, and worked a series of odd jobs while honing his drawing skills in evening lessons. The lessons led Guillaumin to attend the Académie Suisse, where he met Camille Pissarro (French, 1830–1903) and Paul Cézanne (French, 1839–1906). The artist showed several of his paintings at the 1863 Salon des Refusés. In the 1870s, unable to make a living as a painter, Guillaumin moved to Pontoise, a tiny village where he was able to find night work. This allowed him to paint during the day, using the natural light for which the Impressionists are so well known. Cézanne eventually joined the other artists in the village, and he and Guillaumin briefly took up residence together. It was during this period that they participated in the first ever Impressionist exhibition in 1874. In the 1880s, the artist made the acquaintance of Vincent Van Gogh, (Dutch, 1853–1890) whose brother, Theo, would later help him to sell a few pieces. Perhaps due to the influence of Van Gogh’s bold style, the following decade saw a shift in Guillaumin’s use of color, he began to use brighter and more expressive hues to define his compositions, almost in anticipation of the Fauve movement. During this late period of his life, the artist traveled throughout France and Europe. Guillaumin died in 1927 at the age of 86 in Orly, Val-de-Marne, making him the last remaining survivor of the Impressionist group." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

Alexey Bogolyubov: A collection of 467 works (HD)

Description: "Bogolyubov was born in the Pomeranie village of Novgorod Gubernia. His father was retired colonel Pyotr Gavriilovich Bogolyubov. Bogolyubov's maternal grandfather was the well-known philosopher and social critic Alexander Radishchev.

In 1841, Alexey graduated from military school, serving in the Russian Navy and travelling with the fleet to many countries. In 1849, he started to attend classes of the Saint Petersburg Academy of Arts, where he studied under Maxim Vorobiev. The young painter was greatly influenced by Ivan Ayvazovsky. In 1853, he finished the Academy with a major Gold medal. He retired as a navy officer and was appointed an artist to the Navy headquarters.

From 1854 to 1860, he travelled around Europe and worked prolifically. In Rome, he was acquainted with Alexander Ivanov, who convinced Bogolyubov to focus more on drawing. In Düsseldorf, Bogolyubov took classes from the painter Andreas Achenbach. In Paris, he admired the artists of the Barbizon School. French painters Camille Corot and Charles-François Daubigny were good friends and collaborators with Bogolyubov. He also painted the frescoes in the Alexander Nevsky Cathedral.

Bogolyubov returned to Russia in 1860. He exhibited his works in the Academy and received the title of professor. For some time, he taught in the Academy. In the 1860s, he traveled along the Volga. His paintings lost all traces of Romanticism, replacing that element with staunch realism of the natural. In 1871 he was elected to the Imperial Academy of Arts.

From 1870, he became close to the Wanderers art movement, participated in all their exhibitions. He became a member of their board. Much older than most of the other members of the movement, he had reservations on their social ideas. In 1873, Bogolyubov left the Academy in solidarity with his fellow Itinerants. He even tried to create an alternative Russian Academy of Arts in Rome.

After 1873, Bogolyubov lived primarily in Paris, because of his heart condition. His house was like a Russian colony: frequent visitors included Ivan Turgenev, Ilya Yefimovich Repin, Vasily Polenov, Mark Antokolski, Vasili Vasilyevich Vereshchagin.

In 1885, Bogolyubov opened an art museum in Saratov, the Radischev Art Museum, named after his grandfather. It was opened to the general public seven years earlier than the Tretyakov Gallery in Moscow and fifteen years earlier than the Russian Museum in Saint Petersburg. The naming of the museum after the "first Russian revolutionary", Alexander Radishchev, was a direct challenge to the authorities: Bogolyubov had to endure a legal battle to get permission.

Bogolyubov died on 3 February 1896 in Paris. After his death, Bogolyubov left all his money and capital (around 200 thousand Russian rubles (approximately US$6 million) to the museum and its painting school. The school was opened after Bogolyubov's death and named Bogolyubov's Painting School (Боголюбовское Рисовальное Училище). Among painters who attended Bogolyubov's School were such important modernist painters as Victor Borisov-Musatov and Pavel Kuznetsov."

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