John Constable: A collection of 248 paintings (HD)

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John Constable: The radical landscape of The Hay Wain | National Gallery

Watch Colin Wiggins give an in-depth talk on John Constable's 'The Hay Wain', one of the best known paintings in the history of British art. Find out how radical Constable's approach was at the time of creating this extraordinary work, and how he would go on to influence the course of modern art, from Delacroix's painting technique, to the landscapes of the Impressionists, like Claude Monet and Camille Pissarro. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk

Ivan Shishkin: A collection of 352 paintings (HD)

Ivan Shishkin: A collection of 352 paintings (HD) Description: "The works of this outstanding artist enjoy vast popularity in Russia; the best of them have become the classics of Russian landscape painting. During 40 years of his artistic activity Ivan Shishkin produced hundreds of paintings, thousands of studies and drawings and a large number of engravings. For contemporaries, Shishkin’s personality embodied Russian nature itself; they called him “forest tzar”, “old pine tree”, and “lonely oak”. Ivan Ivanovich Shishkin was born into the family of a merchant. His father, a self-made and broad-minded man, after long hesitations, supported his son's desire to become an artist. In 1852-1856, Shishkin studied in the Moscow School of Painting and Sculpture, in 1856-1860, he continued his studies in St. Petersburg, in the Academy of Arts. He made rapid progress and got all the awards the Academy offered. Having received a Major Gold Medal for two pictures with the same name View of Valaam Island. Kukko. (1860) and an Academy grant for studies abroad, Shishkin spent 3 years (1862-1865) in Germany, Switzerland, Czech, France, Belgium and Holland. Gradually he got disappointed in his foreign teachers and European authorities in landscape painting. Now he felt free and independent and longed to return home, to Russia. During his stay abroad Shishkin engaged in lithography and etching. His numerous pen drawings caught the eye of the Dusseldorf public and critics by their virtuoso hatching and filigree treatment of detail. In 1865, Shishkin painted his View near Dusseldorf for which he was awarded the title of Academician and which was shown at the 1867 World Fair in Paris. In 1865, he returned to Russia and settled in St. Petersburg, where he joined the Itinerants’ Society of Traveling Exhibitions (Peredvizhniki). One of his first masterpieces Noon in the Neighbourhood of Moscow (1869) critics called “song of joy”. He always preferred to draw daytime scenes, full of sunlight and life. Pine Forest in Viatka Province (1872), Rye (1878), Path in a Forest (1880), Oaks (1887), Coniferous Forest. Sunny Day. (1895). His scrupulous reproduction of nature stood in sharp contrast to the academic canons of landscape painting. For his loving approach to detail some critics called his works colored pictures, which lack of life. But despite such attention to details Shishkin’s paintings do not fall apart, but give full and finished impression. Shichkin had a troubled private life, twice he fell in love and married and twice his wives died. His sons also died. But never Shishkin allowed his sorrows appear on his canvases. His last work is Mast-Tree Grove (1898). He died in his studio at the easel with newly begun canvas. Among the Russian landscape painters Shishkin was the staunchest and most consistent exponent of the materialistic aesthetics – to depict nature in all its pure, unadorned beauty. His role in Russian art did not lose its significance even in the years, which saw the appearance of splendid landscapes by Isaac Levitan, Valentin Serov and Constantin Korovin. Despite the fact that he espoused different aesthetic principles and advocated a different artistic system, Shishkin enjoyed an indisputable authority among young Russian painters of the late 19th century. The new generation did not fail to acknowledge him as a thoughtful and masterful portrayer of Russian nature." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!

William Turner: A collection of 1530 paintings (HD)

William Turner: A collection of 1530 paintings (HD) Description: "Turner took classical genres and scenes - the stately landscape in well-designed compositions and historical events writ large - and infused them with a new dynamic in painting. He reflected on the increasing importance of individual experience in the era of the Enlightenment, where the perceptions of human beings led to exalted personal moments and sublime interactions with nature. Through this dedication to rendering heightened states of consciousness and being, he helped define the cross-disciplinary artistic movement of Romanticism, setting the stage for later developments in painting subjective experiences that would lead to Impressionism. In some of his later works especially, Turner responded to the arrival of the modern era by making the contraptions of human invention powerfully, sometimes threateningly present.. --- MUSIC: Kevin MacLeod - Almost in F - Tranquillity Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100394 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters --- Thank you so much for your support!

A Journey Through Constable Country - Teaser

A Journey Through Constable Country And Around takes you to towns and villages John Constable would have known and loved. From the Dedham Vale to the Stour Estuary and from Roman Colchester to medieval Lavenham, we visit places which inspired the artist to create some of England's most treasured paintings. To order the full 80 minute video (PAL) priced at £14.99 contact David Webb Films at webb.springbank@btinternet.com.

William Trost Richards: A collection of 373 works (HD)

William Trost Richards: A collection of 373 works (HD) Description: "William T. Richards was forced at the young age of 13 to drop out of school to help financially support his family. He worked as a design illustrator for a gas lamp company. However, Richards was able to return to his studies later and worked privately with Paul Weber in 1850. From 1853-56 he traveled through Florence, Rome, and Paris with fellow artists Paul Weber and William Stanley Haseltine. When he returned to America he settled in Germantown and married. For many years Richards was preoccupied with literary themes in landscapes and painted true to nature with accurate detail that reveals the influence of the Pre-Raphaelites. After a brief visit to Britain, Richards became increasingly more interested in marine paintings, for which he is best known. In 1874 he bought one of several homes around the Newport area. He painted around the Aquidneck and Conanicut area until his death in 1905. Richards worked outdoors as much as possible and incorporated grandeur, light and atmosphere in all of his painting." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

John Constable: A collection of 248 paintings (HD)

Description: "Constable was, with Joseph Turner, the major English landscape painter of the 19th century. He is best known for his paintings of the English countryside.

John Constable was born on 11 June 1776 in East Bergholt in Suffolk, the son of a prosperous miller. He was educated at Dedham Grammar School, then worked for his father's business. He persuaded his father to send him to study at the Royal Academy Schools, which he entered in 1799.

In 1816, after much opposition from her father, Constable married Maria Bicknell. She suffered from tuberculosis, so they lived in Hampstead in north London, which was thought to be healthier than central London. In the early 1820s they began frequent visits to Brighton, also for Maria's health.

Constable believed that his paintings should come as directly as possible from nature. He made hundreds of outdoor oil sketches, capturing the changing skies and effects of light. He was happiest painting locations he knew well, particularly in his native Suffolk. He also frequently painted in Salisbury, Brighton and Hampstead, making numerous studies of the clouds over the Heath.

Maria's death in 1828 was devastating for Constable and left him responsible for their seven children. The following year he was belatedly elected to full membership of the Royal Academy. Constable received little other recognition in Britain in his lifetime, but was much better known in France. In 1824, 'The Hay Wain' won a gold medal at the Salon in Paris and Constable had a profound influence on French Romantic artists.

Constable died in London on 31 March 1837."

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