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Whether on the walls of a cave, the tombs of great kings, a canvas, or the walls of a building, the human desire to put ink to paper has left the world with some of the most beautiful masterpieces. Welcome to WatchMojo.com, and today we’re counting down our picks for the top 10 painters of all time. Check us out at http://www.Twitter.com/WatchMojo, http://instagram.com/watchmojo and http://www.Facebook.com/WatchMojo Thanks to our users iamnotarobot, fsanders2, Philip Folta, Dave Dela Peña and Pip Gerard for suggesting the idea on our suggest tool over at watchmojo.com/suggest Check out the voting page here, http://watchmojo.com/suggest/Top%2010%20Painters If you want to suggest an idea for a WatchMojo video, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :) We have T-Shirts! Be sure to check out http://www.WatchMojo.com/store for more info. WatchMojo is a leading producer of reference online video content, covering the People, Places and Trends you care about. We update DAILY with 2-3 Top 10 lists, Origins, Biographies, Versus clips on movies, video games, music, pop culture and more!
Herman Alfred Leonard Wahlberg (1834-1906) was a Swedish landscape painter from Stockholm. After receiving preparatory education at the Royal Swedish Academy of Arts, Wahlberg moved to Düsseldorf in 1857 to train—he was since associated with the Düsseldorf school of painting. He returned to Stockholm in 1862 and painted Svenskt insjölandskap från Kolmården (1866), which became very famous and was displayed at the National Museum of Arts. Wahlberg moved to Paris in 1866 and displayed two paintings at the 1868 Paris Salon. He became successful in Paris and was awarded with medals at the Paris Salon in 1870 and 1872. At the 1878 World's Fair in Paris, Wahlberg was recognized with a first class medal. Alfred Wahlberg was born on 13 February 1834 in Stockholm, Sweden. His father was a painter and his mother worked with carving. Wahlberg learned his father's profession as a child, but became a student at Royal Swedish Academy of Music after showing precocious musical talent. He studied piano and clarinet at the academy. After finishing his studies, Wahlberg joined the orchestra Göta gardes musikkår, and earned money (25–50 öre per hour) by giving piano lessons. He received preparatory education at the Royal Swedish Academy of Arts at the same time, although he never became a real student there. Wahlberg enjoyed painting and decided to pursue his father's profession. He started by drawing landscapes, and sold a painting for the first time in 1856 to Konstföreningen (English: The Art Union). In 1857, Wahlberg moved to the Kunstakademie Düsseldorf in Germany to train. He was a student of Hans Fredrik Gude for a short time, but made most of his paintings on his own. Wahlberg's paintings were sold either in Germany or to Konstföreningen in Sweden. Before returning to Stockholm in 1862, he made a trip to the Netherlands and Belgium to further his art studies. Wahlberg's fondness of romantic, dreaming, lyrical, and musical atmospheres is reflected in his paintings depicting the evening and the moonlight's play with tones and light. The most well-known paintings Wahlberg made while living in Düsseldorf are Solnedgång i Bohuslän and Vinterlandskap med björnjakt, both of which depict Swedish forest landscapes. After his return to Stockholm in 1862, Wahlberg painted Storm på holländska kusten (1863), Fors i svensk obygd (largely influenced by Andreas Achenbach), Borgruinen Niedeck vid Rhen (1863), Skogsparti från Särö (1865), Hörningsholm i månsken (1866), and Svenskt insjölandskap från Kolmården (1866). The later is a carefully composed view of an infinite forest (Kolmården), a lake, and a summer sky. The evening sky and the moonlight is depicted in mild, melting colors. The painting became very famous and was displayed at the National Museum of Arts. Although Wahlberg was still restricted by the limits of his technique, the painting was a large progress in his development as a painter. Wahlberg moved to Paris in 1866, and displayed two paintings at the 1868 Paris Salon—both depicting a fishing place in Bohuslän; one of them takes place during the night and one during a sunset. These two paintings mark Wahlberg's transition from a Düsseldorf technique to a then modern French technique. He learned by ease the French school's technique and approach to studies, without imitating the well-known French painters. Wahlberg earned success and was awarded with medals at the Paris Salon in 1870 and 1872, and was credited for bringing the then modern techniques of landscape art to Sweden. Almost every summer he made a short return to Sweden to study the nature in places such as Stockholm archipelago, Skåne, Halland, and Värmland. Among his most famous paintings from this period are Fiskläge vid bohuslänska kusten, Utsikt i Södermanland (view of a meadow and a lake in Södermanland, 1870), Landskap i månsken (landscape in moonlight, 1870), Månsken från södra Frankrike (moonlight in southern France, 1870), Nääs (a summer evening, 1871), I Vaxholm (an autumn day in Vaxholm, 1872), I Fontainebleauskogen (Fontainebleau forest, 1874), Maj i Nizza (May in Nice, 1878), Afton på Hallands Väderö (evening at an island, 1800), Fjällbacka (moonlight, 1881), and Svensk björkhage (1882). At the 1878 World's Fair in Paris, Wahlberg was recognized with a first class medal. Wahlberg's work from the late 1880s and forward includes Stockholms ström (1888), Månsken på Hallands Väderö (1889), Oktobernatt (1893), Popplar (1893), Sol på snö i Marstrand (1901), and Svensk sommarnatt (1901). He died on 4 October 1906 in Tranås. https://en.wikipedia.org/wiki/Alfred_Wahlberg Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
Alexei Kondratyevich Savrasov(Russian: Алексе́й Кондра́тьевич Савра́сов) (May 24, 1830 – October 8, 1897) was a Russian landscape painter and creator of the lyrical landscape style. Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Karl Rabus (1800-1857) at the Moscow School of Painting, Sculpture and Architecture (MSPSA). He graduated in 1850 and immediately began to specialize in landscape painting. In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the MSPSA. His best students, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude. In 1857, he married Sophia Karlovna Hertz, sister of the art historian Karl Hertz (1820-1883). In their home they entertained artistic people and collectors including Pavel Tretyakov. Savrasov became especially close with Vasily Perov. Perov helped him paint the figures of the boat trackers in Savrasov's Volga near Yuryevets, Savrasov painted landscapes for Perov's Bird catcher and Hunters on Bivouac. In the 1860s, he traveled to England to see the International Exhibition, and to Switzerland. In one of his letters he wrote that no academies in the world could so advance an artist as the present world exhibition. The painters who influenced him most were British painter John Constable and Swiss painter Alexandre Calame. The Rooks Have Come Back (1871) is considered by many critics to be the high point in Savrasov’s artistic career. Using a common, even trivial, episode of birds returning home, and an extremely simple landscape, Savrasov emotionally showed the transition of nature from winter to spring. It was a new type of lyrical landscape painting, called later by critics the mood landscape. The painting brought him fame. In 1870, he became a member of the Peredvizhniki group, breaking with government-sponsored academic art. In the late 1870s, he gradually became an alcoholic. The process may have begun with the death of his daughter in 1871, which led to a crisis in his art and, possibly, dissatisfaction with his artistic career. In 1882, he was dismissed from his position at the MSPSA. All attempts of his relatives and friends to help him were in vain. His work suffered dramatically and the last years of his life were spent in poverty. He was usually drunk and often dressed in rags. Finally, he found himself wandering from shelter to shelter. Only the doorkeeper of the MSPSA and Pavel Tretyakov, founder of the Tretyakov Gallery, were present at his funeral in 1897. https://en.wikipedia.org/wiki/Alexei_Savrasov Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
Description Produced for Art in Yorkshire's 2014 programme this film explores the exhibition 'Rossetti's Obsession' with curator Jill Iredale of Cartwright Hall Art Gallery and Jan Marsh, President of the William Morris Society who discusses Dante Gabriel Rossetti's portraits of Jane Burden Morris.
Anthony Frederick Augustus Sandys (1829-1904), but usually known as Frederick Sandys, was an English painter, illustrator and draughtsman, associated with the Pre-Raphaelites. He was also associated with the Norwich School of painters.
He was born in Norwich, and received his earliest lessons in art from his father, Anthony Sands, who was himself a painter. His early studies show that he had a natural gift for careful and beautiful drawing. He was educated at Norwich School and later attended the Norwich School of Design in 1846. In the same and next year his talent was recognized by the Royal Society of Arts.
He married Georgiana Creed, but this marriage only lasted three years, although they never divorced. He had a long affair with the Romany woman Keomi Gray, who sat as a model both for him and Dante Gabriel Rossetti, and perhaps also for Simeon Solomon. He and Gray had two daughters and two sons.
In 1862 Sandys met actress Mary Emma Jones, known as Miss Clive, when she modeled for The Magdalen, now owned by the Norwich Castle Museum. A relationship developed between the two; he became devoted to her, taking her as his common-law wife for the rest of his life. She gave birth to a large number of children, 10 of whom were raised under the name of Neville and survived after Sandys' death. His work Proud Maisie, made in 1867, was inspired by Mary, so much so that he made at least 11 versions by 1904. He influenced his younger sister Emma Sandys (1843–1877), whose works were mainly portraits of children and of young women, often in period or medieval clothing.
He died in Kensington in west London in 1904.
He displayed great skills as a draughtsman, achieving recognition with his print parodying John Everett Millais's Sir Isumbras at the Ford in 1857. The caricaturist turned the horse of Sir Isumbras into a donkey labelled J. R., Oxon. (John Ruskin). Upon it was seated Millais himself, in the character of the knight, with Rossetti and William Holman Hunt as the two children, one before and one behind. The caricature, produced using the new autographic lithographic, caused a lot of talk about who the artist might be and ultimately introduced Sandys to the London art community.
Rossetti and Sandys became close friends, and from May 1866 to July 1867, Sandys lived with Rossetti in Cheyne Walk, Chelsea. Sandys’s works were profoundly influenced by those of Rossetti. He focused mainly on mythological subjects and portraits.
Early in the 1860s he began to exhibit the paintings which set the seal upon his fame. The best known of these are Vivien (1863), Morgan le Fay (1864), Cassandra and Medea (1868).
Sandys never became a popular painter. He painted little, and the dominant influence upon his art was the influence exercised by lofty conceptions of tragic power. There was in it a sombre intensity and an almost stern beauty which lifted it far above the ideals of the crowd. The Scandinavian Sagas and Le Morte d'Arthur gave him subjects after his own heart. The Valkyrie and Morgan le Fay represent his work at its very best.
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