Raphael (1483-1520) - A collection of paintings & drawings 2K Ultra HD Silent Slideshow

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John White Alexander (1856-1915) A collection of paintings 4K Ultra HD Silent Slideshow

John White Alexander (1856-1915) A collection of paintings 4K Ultra HD Silent Slideshow American portrait, figure, and decorative painter and illustrator. Alexander was born in Allegheny, Pennsylvania, now a part of Pittsburgh, Pennsylvania. Orphaned in infancy, he was reared by his grandparents and, at the age of 12, became a telegraph boy in Pittsburgh. Edward J. Allen became an early supporter and patron of John W. Alexander, adopting the orphaned Alexander while he worked at the Pacific and Atlantic Telegraph Co. as a young man. Allen brought Alexander to the Allen home at "Edgehill" where Alexander painted various members of the Allen family, including Colonel Allen. His talent at drawing attracted the attention of one of his employers, who assisted him to develop them. He moved to New York City at the age of eighteen and worked in an office at Harper's Weekly, where he was an illustrator and political cartoonist at the same time that Abbey, Pennell, Pyle, and other celebrated illustrators worked there. After an apprenticeship of three years, he travelled to Munich for his first formal training. Owing to the lack of funds, he removed to the village of Polling, Bavaria, and worked with Frank Duveneck. They travelled to Venice, where he profited by the advice of Whistler, and then he continued his studies in Florence, the Netherlands, and Paris. In 1881 he returned to New York and speedily achieved great success in portraiture, numbering among his sitters Oliver Wendell Holmes, John Burroughs, Henry G. Marquand, R. A. L. Stevenson, and president McCosh of Princeton University. Alexander was married to Elizabeth Alexander Alexander, to whom he was introduced in part because of their shared last name. Elizabeth was the daughter of James Waddell Alexander, President of the Equitable Life Assurance Society at the time of the Hyde Ball scandal. The Alexanders had one child, the mathematician James Waddell Alexander II. Many of his paintings are in museums and public places in the United States and in Europe, including the Metropolitan Museum of Art, the Brooklyn Art Museum, the Los Angeles County Museum of Art, the Museum of Fine Arts, Boston, the Butler Institute, and the Library of Congress in Washington D.C. In addition, in the entrance hall to the Art Museum of the Carnegie Institute in Pittsburgh, a series of Alexander's murals entitled "Apotheosis of Pittsburgh" (1905–1907) covers the walls of the three-storey atrium area. Alexander's Artist Proof of his portrait of Whitman, signed by the artist in April 1911, is in the Walt Whitman Collection at the University of Pennsylvani. https://en.wikipedia.org/wiki/John_White_Alexander

Raphael: The Renaissance Virtuoso | National Gallery

What can we learn from the composition of Raphael's 'Garvagh Madonna', and how did he paint this impressive work? Find out with Matthias Wivel, our Curator of 16th-century Italian Paintings. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk

Niccolo dell Abbate (1509-1571) A collection of paintings & drawings 4K Ultra HD Silent Slideshow

Niccolo dell Abbate (1509-1571) A collection of paintings an d drawings 4K Ultra HD Silent Slideshow An Italian Mannerist painter in fresco and oils. He was of the Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the Italianate Renaissance to France. He may be found indexed under either "Niccolò" or "Abbate", though the former is more correct. Niccolò is best known for his mythological landscape subjects, which introduced the Flemish world landscape into French art, such as the Orpheus and Landscape with the Death of Eurydice in the National Gallery, London[5] and the Rape of Prosperine in the Louvre,[6] and for his profuse and elegant drawings. Not many of his frescoes have survived; however the Louvre does have a collection of his drawings.[7] Many of his canvasses were burnt in 1643, by the Austrian regent, Anne[1] Some of his landscapes for Charles IX were influential for the 17th century painters Claude Lorrain and Nicolas Poussin. https://en.wikipedia.org/wiki/Niccol%C3%B2_dell%27Abbate

Jos Ferraz de Almeida (1850-1899) A collection of paintings & drawings 4K Ultra HD Silent Slideshow

Jos Ferraz de Almeida (1850-1899) A collection of paintings & drawings 4K Ultra HD Silent Slideshow / Screensaver Commonly known as Almeida Júnior, was a Brazilian artist and designer; one of the first there to paint in the Realistic tradition of Gustave Courbet and Jean-François Millet. The "Dia do Artista Plástico" (Day of Fine Artists in Brazil) is celebrated on his birthday. His art career began while he was working as a bell-ringer at the church of "Our Lady of Candelária" and created some small works on religious themes. The head priest there was sufficiently impressed to hold a fundraiser, so Júnior could go to Rio de Janeiro and take formal art lessons. In 1869, he enrolled at the Academia Imperial de Belas Artes, where he studied with Victor Meirelles and Pedro Américo. His simple, country speech and manners reportedly were the source of much interest and, one might suppose, amusement. After graduating, he chose not to compete for a travel award to Europe, returning instead to Itu, and setting up a studio. He was apparently destined to see Europe, however. In 1876, during a tour of the São Paulo region, Emperor Pedro II saw Júnior's work, was impressed, and personally offered his financial support. Later that year, a Royal Decree awarded Júnior 300 Francs per month (USD $60/month) for the purpose of studying in Paris. He soon settled in Montmartre and enrolled at the École des Beaux-Arts, becoming one of the many students of Alexandre Cabanel. While there, he participated in four of the Salons. He remained in Paris until 1882 then, after a brief trip to Italy, returned to Brazil and exhibited the works he had created during his absence. The following year, he opened a studio in São Paulo and gave lessons. He also held exclusive art exhibitions and executed portraits of notable people, ranging from coffee barons to Republican politicians. In 1884, he held a showing at the "Exposição Geral de Belas Artes" and was made a Knight in the Order of the Rose A year later, Victor Meirelles offered to give Júnior his position as Professor of History Painting at the Academy, but Júnior refused the offer, preferring to stay in São Paulo. From 1887 to 1896, he made three more trips to Europe. During this period, he would increasingly turn from Biblical and historical works in favor of regionalist themes, depicting the everyday life of the "caipiras" and leaving the Academic style behind while gradually approaching Naturalism. Despite these changes, his reputation at the Academy remained unchallenged and he received the Gold Medal there in 1898. https://en.wikipedia.org/wiki/Jos%C3%A9_Ferraz_de_Almeida_J%C3%BAnior

Albert Bierstadt (1830-1902) A collection of paintings 2K Ultra HD Silent Slideshow

Albert Bierstadt (1830-1902) A collection of paintings 2K Ultra HD Silent Slideshow A German-American painter best known for his lavish, sweeping landscapes of the American West. To paint the scenes, Bierstadt joined several journeys of the Westward Expansion. Though not the first artist to record these sites, Bierstadt was the foremost painter of these scenes for the remainder of the 19th century. Born in Prussia, Bierstadt was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along the Hudson River. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School Bierstadt was born in Solingen, Prussia, the son of Christina M. (Tillmans) and Henry Bierstadt, a cooper. He had a brother who was 6 years older, the later photographer Edward Bierstadt. In 1831, when Albert was just one year old his family immigrated to New Bedford, Massachusetts. At an early age he made clever crayon sketches in his youth and developed a taste for art In 1858, Bierstadt exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.[4] Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. He was part of a group of artists known as the Hudson River School https://en.wikipedia.org/wiki/Albert_Bierstadt

Raphael (Raffaello Sanzio da Urbino) (1483-1520) - A collection of paintings and drawings in 2K HD

Raffaello Sanzio da Urbino known as Raphael was an Italian painter and architect of the High Renaissance.

His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur.

Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.

Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career.

His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates



Resurrection of Christ(1502)

Angel (fragment of the Baronci Altarpiece) (1501)

Angel (fragment of the Baronci Altarpiece) (1501)

Holy Family with Madonna of the Veil (1510)

St. Sebastian (1502)

The Crowning of the Virgin (1504)

The Annunciation (1504)

The Adoration of the Magi (1504)

Oddi altaentation in the Temple (1504)

Madonna Solly (1504)

Mond Crucifixion (1503)

St. Michael (1501)

Portrait of a Man (1502)

Connestabile Madonna (1503)

Madonna and Child with the Book (1503)

The Marriage of the Virgin (1504)

Three Graces (1505)

Vision of a Knight (1505)

St. George (1504)

Madonna and Child Enthroned with Saints (1505)

Portrait of Perugino (1504)

Portrait of Elisabetta Gonzaga (1504)

The Holy Family with the Lamb (1504)

Portrait of Pietro Bembo (1504)

Self-portrait (1504) – Uffizi

Madonna of the Grand Duke (1505)

The Ansidei Madonna (1505)

Young Man with an Apple (1505)

Christ Blessing (1505)

Madonna Terranuova (1505)

The Madonna of the Goldfinch (1505)

Madonna del Prato (The Madonna of the Meadow) (1505)

St. George and the Dragon (1506)

Orléans Madonna (1506)

La donna gravida (1506)

Portrait of Agnolo Doni (1507)

Portrait of Maddalena Doni (1507)

Madonna of the Pinks (1506)

Young Woman with Unicorn (1506, disputed)

Madonna with Beardless St. Joseph (1506)

Saint Catherine of Alexandria (1507)

Canigiani Holy Family (1507)

La belle jardinière (1507)

The Deposition of Christ (1508)

The Three Theological Virtues (1507)

Portrait of a Young Woman (1508)

The Holy Family with the Lamb (1507)

The Tempi Madonna (Madonna with the Child) (1508)

La Madonna de Bogotá (Madonna with Child) (1507)

Portrait of Cardinal Alessandro Farnese (1511)

La disputa (1510)

The School of Athens (1510)

Madonna of Loreto (1510)

Aldobrandini Madonna (1510)

Madonna with the Blue Diadem (1511)

Portrait of a Cardinal (1511)

Alba Madonna (1511)

The Parnassus (1511)

The Cardinal Virtues (1511)

Portrait of Pope Julius II (1512)

The Prophet Isaiah (1512)

The Expulsion of Heliodorus from the Temple (1512)

Portrait of Pope Julius II (1512)

The Madonna of Foligno (1512)

Sistine Madonna (1512)

The Triumph of Galatea (1513)

Portrait of Tommaso Inghirami (1514)

Madonna of the Candelabra (1513)

Madonna della seggiola (Madonna with the Child and Young St. John) (1514)

Madonna dell'Impannata (1514)

Madonna della tenda (1514)

The Fire in the Borgo (1514)

The Meeting of Leo the Great and Attila (1514)

Deliverance of Saint Peter (1514)

Portrait of a Young Man (1514)

Portrait of Bindo Altoviti ( 1514)

The Sibyls (1514)

The Ecstasy of St. Cecilia (1516)

Portrait of Balthasar Castiglione ( 1515)

Woman with a Veil (La donna velata) (1516)

Portrait of Tommaso Inghirami (1516)

Palazzo Branconio dell'Aquila in Borgo (1517)

Portrait of Cardinal Bibbiena (1516)

Church of Sant'Eligio degli Orefici near Via Giulia, Rome (1516)

Creation of the World (1516)

Raphael Cartoons (1516)

Transfiguration (1520)

Portrait of Pope Leo X with two Cardinals (1518)

Christ Falling on the Way to Calvary (1517)

Loggia of Cupid and Psyche (1517)

The Holy Family of Francis I (1518)

Ezechiel’s Vision (1518)

St. Michael Vanquishing Satan (1518)

St Margaret and the Dragon (1518)

Madonna of the Rose (1518)

Self-portrait with a Friend (1520)

Portrait of a Young Woman (1519)

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