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National Gallery Adult Learning Programmer Matthew Morgan gives an in-depth talk on George Stubbs's magnificent painting of the race horse Whistlejacket. Enjoy an insight into Stubbs's painting technique, and how he came to paint 'Whistlejacket' for the Marquess of Rockingham. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
George Clausen: A collection of 174 paintings (HD) Description: "The son of a painter of Danish descent, Sir George Clausen was born in London. He studied at the South Kensington School of Art from 1873 - 75 and then visited Belgium and Holland between 1875-76. Influenced initially by Dutch painting and Whistler during the 1870s, he transferred his allegiance to Jules Bastien-Lepage and the French plein-air school of painting in the early 1880s. Closely identifying with English rural life, he favoured naturalism during this period as a technique of what he called 'studied impartiality' with its emphasis on literal representation rather than narrative content. For a few months in 1883, he studied at the Academie Julian under Adolphe William Bouguereau. During the 1890s, Clausen became increasingly aware of the limitation of rustic naturalism. Influenced by the French Impressionists, he developed a more fluent style, showing a renewed interest in figural expression and movement, and a preoccupation with the play of sunlight and shade. Following his marriage in 1881, he settled first in Berkshire and then in Essex where the surrounding scenery inspired much of his work. From 1876-1943, he exhibited regularly at the royal Academy; he was a founder member of the New English Art Club in 1886 although he ceased to exhibit there following his election as an Associate of the Royal Academy in 1895 and a Royal Academician in 1908." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!
Paula Modersohn Becker: A collection of 149 works (HD) Description: "Paula Modersohn-Becker, whose career was cut tragically short by her death at 31, was one of the boldest German artists of her epoch. She ranged far beyond the regional nature portrayals of her Worpswede colleagues and anticipated the international artistic developments of the 20th century. Her absolute devotion to her art completely contradicted the norms of feminine behavior of her time; but this “egoistic” determination and self-assertion were the keys to her character and her incredible artistic achievements. She recognized at an early age that “false altruism distracts from one’s great goal.” Her great goal was her creative work: “…I will become something yet. How great or how small I can’t myself say, but it will be something complete in itself. This unswerving racing toward the goal, that’s the most beautiful thing in life.” Paula Becker was the third daughter out of seven children in a family that provided emotional security and confidence. When she was only 16 she received instruction in drawing in Bremen and London. After getting training to teach she was allowed to continue her artistic career in Berlin. Relatives also supported her first stays in Worpswede and, in 1900, in Paris. In Worpswede she studied with Fritz Mackensen and became friends with the sculptor Clara Westhoff. The painter Otto Modersohn, 11 years her senior, recognized and encouraged Paulas talent. They married in April 1901, and he financed her further visits to Paris (1902, 1905 and 1906-07), where she gained important new stimuli for her artistic development in the works of van Gogh, Cézanne and Matisse. Her last Paris stay, however, also represented an attempt to free herself from what had become a suffocating marriage, and brought with it an extremely productive phase of creativity in which she pushed forward into a new territory of powerful, simple self-portraits and mother-child paintings: “I am becoming something – I am living the intensely happiest time of my life.” But in the end she gave in to the pressures of her husband, for she did not see how she could earn a living herself. “The main thing is: quiet for my work, and that I have most at the side of Otto Modersohn.” (Letter to Clara.) In the spring of 1907 she returned to Worpswede with her husband. In November, after the birth of a daughter, Paula Modersohn-Becker died of an embolism." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #GermanPainter #ExpressionistMovement #OnlineArtGallery #CollectionOfWorks #ArtHistory #FemaleArtist #PaulaModersohnBecker
Gunning King: A collection of 124 paintings (HD) Description: "Genre painter, born in South Kensington on 2nd September 1859. He studied art at South Kensington and the Royal Academy Schools where he received a silver medal for his drawing. He exhibited at the leading London Galleries from 1878, chiefly at the R.A., R.P., R.B.A., and also in the provinces. Principal works include “June Roses”, “A Reverie” and “Follow Me.” He lived near Petersfield in Hampshire." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #BritishPainter #GunningKing #OnlineArtGallery #CollectionOfPaintings #ArtHistory #TASCHEN
John Constable: A collection of 248 paintings (HD) Description: "Constable was, with Joseph Turner, the major English landscape painter of the 19th century. He is best known for his paintings of the English countryside. John Constable was born on 11 June 1776 in East Bergholt in Suffolk, the son of a prosperous miller. He was educated at Dedham Grammar School, then worked for his father's business. He persuaded his father to send him to study at the Royal Academy Schools, which he entered in 1799. In 1816, after much opposition from her father, Constable married Maria Bicknell. She suffered from tuberculosis, so they lived in Hampstead in north London, which was thought to be healthier than central London. In the early 1820s they began frequent visits to Brighton, also for Maria's health. Constable believed that his paintings should come as directly as possible from nature. He made hundreds of outdoor oil sketches, capturing the changing skies and effects of light. He was happiest painting locations he knew well, particularly in his native Suffolk. He also frequently painted in Salisbury, Brighton and Hampstead, making numerous studies of the clouds over the Heath. Maria's death in 1828 was devastating for Constable and left him responsible for their seven children. The following year he was belatedly elected to full membership of the Royal Academy. Constable received little other recognition in Britain in his lifetime, but was much better known in France. In 1824, 'The Hay Wain' won a gold medal at the Salon in Paris and Constable had a profound influence on French Romantic artists. Constable died in London on 31 March 1837." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!
George Stubbs: A collection of 295 works (HD)
Description: "George Stubbs was the finest horse painter that England has ever produced, combining a profound knowledge of horse anatomy with psychological insight, naturalistic observation and a calm, classical sense of composition. Born in 1724, the son of a Liverpool currier, he was largely self-taught as an artist. About 1741 he studied briefly with Harriet Winstanley, an artist from Warrington, Lancashire. Four years later Stubbs studied anatomy at York Hospital, illustrating Dr John Burton’s Essay Towards a Complete New System of Midwifery (1751) with drawings made from dissections at which he had assisted.
From c.1741-56 Stubbs made a living painting portraits, such as that of his earliest patron Sir Henry Nelthorpe, 5th Bt, and his second wife, c.1745 (Nelthorpe Collection). He went briefly to Rome in 1754. In 1756 Stubbs started eighteen gruelling months studying the anatomy of the horse by dissecting corpses supplied by tanneries at a farmhouse in Horkstow, Lincolnshire. The fruit of this were exquisite drawings, engraved by Stubbs and published in The Anatomy of the Horse (1766).
In 1758 Stubbs settled in London, where his anatomical drawings attracted the attention of wealthy patrons with a passion for breeding and racing horses. In 1759-60 he painted three large hunting, shooting and racing canvases for the 3rd Duke of Richmond (Goodwood House, West Sussex); in 1762 he painted the celebrated Grosvenor Hunt for the 1st Earl Grosvenor (Eaton Hall, Cheshire). The same year Stubbs painted his first commissions for the 2nd Marquess of Rockingham: the near-life-size Whistlejacket (National Gallery, London) and the friezelike Mares and foals without a background (Fitzwilliam family collection). Horse attacked by a lion, 1762 (Yale Center for British Art, New Haven), also painted for Rockingham, showed Stubbs adapting Romantic sturm und drang to an animal subject.
Stubbs exhibited at the Society of Artists from 1761 to 1774 and was its President in 1772-3. He exhibited at the Royal Academy from 1775-1803, becoming an Academician in 1781, an honour later withdrawn because he refused to submit a Diploma painting.
Stubbs was a fine observer of human beings – from stable lads to languid aristocrats – as well as horses. He also painted exotic animals, mythological works and poetic, rustic scenes of Haymakers and Reapers, 1785 (Tate Gallery, London). He experimented with mixed method engraving techniques and, with the help of his friend Josiah Wedgwood, in painting in enamel colours on Wedgwood ceramic supports. From the early 1790s Stubbs’s financial difficulties were ameloriated by the patronage of the Prince of Wales (later George IV), for whom he painted at least eighteen oils. Among Stubbs’s latest, most monumental images is the exhausted racehorse Hambletonian, rubbing down, 1800 (Mount Stewart House, Co. Down, NT). George Stubbs died in London in 1806."
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