37 Like 0 Dislike
Benjamin Haughton: A collection of 321 paintings (HD) Description: "Benjamin Haughton was a British visual artist who was born in 1865. The artist died in 1924." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
Go behind the scenes with CMOA chief conservator Ellen Baxter as she discusses the restoration process of a portrait of Isabella de' Medici. Artwork: Alessandro Allori Portrait of Isabella de' Medici, c. 1570-1574 oil on canvas (transferred from panel) Gift of Mrs. Paul B. Ernst Filmed in conjunction with the exhibition "Faked, Forgotten, Found: Five Renaissance Paintings Investigated."
Claude Monet: A collection of 1540 paintings (HD) Description: "Claude Oscar Monet was born in Paris on November 14, 1840. Soon after, his family moved to Le Havre, where he spent his youth. His acquaintance with Eugène Boudin lead to Monet seriously pursueing his education as a painter in 1858. Boudin and Jongkind taught Monet to always work in the field in front of his motif. The following year Monet went to Paris anyway to begin academic training. He joined the "Akademie Suisse" and joined his later fellow painters from the Impressionist group, especially when painting together "en plen air" in the forest of Fontainebleau. Their constant struggle was to have their pictures exhibited at the official "Salon de Paris", where the conservative jury mostly declined their paintings. Because of the lack of acceptance of his artwork, Claude Monet and his small family had to live in dire poverty for many years. In 1879 his first wife Camille, with whom he had two children, died. Monet's art had meanwhile developed from withdrawn color paintings to form an independent Impressionist style. With his famous painting "Impression: soleil levant", Claude Monet named one of the most important genres of Avant-garde art. Some art lovers, especially the art dealer Durand-Ruel, supported him financially. Very gradually, a market developed for his pictures. In 1883 Claude Monet managed to earn enough money to move to Giverny, west of Paris, where he managed to buy the house he had been renting in 1890. He now had a place to return to after his frequent travels and the garden of his property, which he later managed to extend, provided constant inspiration for his work at home. In 1891 Monet painted the first of his famous series: the "meules" (haystacks) were followed by pictures of poplars and the river Seine, the cathedral of Rouen, the river Thames in London and many more. His exhibitions were great successes and Monet became a celebrated artist. In 1892 he married Alice Hoschedé, who brought more children into the family. From the turn of the century, the water lilies on the specially designed pond in Giverny and the picturesque wooden bridge in Japanese style became Monet's favorite motifs. In 1911 Alice died. In 1916, at the age of 76, Monet started his largest project: the creation of the famous wall decoration depicting the pond with the water lillies (now in Paris). In the 1920s his eyesight deteriorated and he had to have surgery, but he still did his utmost to continue painting. Shortly before his death on December 5, 1926 Claude Monet finished his water lilly paintings. Today Claude Monet is regarded as the most well known Impressionist artist. His late work is increasingly considered to be the precursor for the abstraction of the 20th century." Feel free to subscribe!
National Gallery Adult Learning Programmer Matthew Morgan gives an in-depth talk on George Stubbs's magnificent painting of the race horse Whistlejacket. Enjoy an insight into Stubbs's painting technique, and how he came to paint 'Whistlejacket' for the Marquess of Rockingham. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
József Rippl-Rónai: A collection of 218 works (HD) Description: "Hungarian painter. He studied at the Academy of Munich between 1884 and 1887; then, on a Hungarian State scholarship, be travelled to Paris; he lived in France until 1901. While in Paris, he worked in Mihály Munkácsy's studio and visited the Julian Academy. In 1889 he turned away from Munkácsy's style and, together with the Scottish painter Knowles, he moved to Neuilly near Paris. It was here that he developed his style based on the reduction of colours, characteristic of his period between 1889 and 1900. His painting My Grandmother was exhibited in the Salon du Champ-de-Mars in 1894. It was this picture that aroused the interest of the Nabis group (Bonnard, Denis, Vuillard) and of "les artists intelligents", the group of young artists gathered around the magazine "Revue Blanche", who invited Rippl-Rónai to join their company. In 1896 Rippl-Rónai was commissioned by Count Tivadar Andrássy to design the dining room and the entire furniture of his palace in Budapest. In this way he became involved in the applied arts, too, designing glass windows, furniture, chinaware, glasses and gobelins. The embroidery designed by him and executed by his French wife, Lazarinne, won them a silver medal at the Paris Universal Exhibition in 1897. In 1890 he left Paris and returned to Hungary, setting in his home town, Kaposvár. Initially, he painted intimate interiors here then developed his characteristic "corn kernels" style, using bright colours and small brush-strokes which left the tiny patches of paint distinct. In 1912 his work was awarded with a silver medal at the International Fine Art Exhibition in Amsterdam: two years later he won a gold medal in Vienna with Maillol's Portrait. In 1925 his work was honoured with Belgium's Medal of the Knight of the Leopold Order. Still in the same year he received an invitation from the Uffizi Gallery of Florence to contribute to is world-famous collection of self-portraits." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
George Stubbs: A collection of 295 works (HD)
Description: "George Stubbs was the finest horse painter that England has ever produced, combining a profound knowledge of horse anatomy with psychological insight, naturalistic observation and a calm, classical sense of composition. Born in 1724, the son of a Liverpool currier, he was largely self-taught as an artist. About 1741 he studied briefly with Harriet Winstanley, an artist from Warrington, Lancashire. Four years later Stubbs studied anatomy at York Hospital, illustrating Dr John Burton’s Essay Towards a Complete New System of Midwifery (1751) with drawings made from dissections at which he had assisted.
From c.1741-56 Stubbs made a living painting portraits, such as that of his earliest patron Sir Henry Nelthorpe, 5th Bt, and his second wife, c.1745 (Nelthorpe Collection). He went briefly to Rome in 1754. In 1756 Stubbs started eighteen gruelling months studying the anatomy of the horse by dissecting corpses supplied by tanneries at a farmhouse in Horkstow, Lincolnshire. The fruit of this were exquisite drawings, engraved by Stubbs and published in The Anatomy of the Horse (1766).
In 1758 Stubbs settled in London, where his anatomical drawings attracted the attention of wealthy patrons with a passion for breeding and racing horses. In 1759-60 he painted three large hunting, shooting and racing canvases for the 3rd Duke of Richmond (Goodwood House, West Sussex); in 1762 he painted the celebrated Grosvenor Hunt for the 1st Earl Grosvenor (Eaton Hall, Cheshire). The same year Stubbs painted his first commissions for the 2nd Marquess of Rockingham: the near-life-size Whistlejacket (National Gallery, London) and the friezelike Mares and foals without a background (Fitzwilliam family collection). Horse attacked by a lion, 1762 (Yale Center for British Art, New Haven), also painted for Rockingham, showed Stubbs adapting Romantic sturm und drang to an animal subject.
Stubbs exhibited at the Society of Artists from 1761 to 1774 and was its President in 1772-3. He exhibited at the Royal Academy from 1775-1803, becoming an Academician in 1781, an honour later withdrawn because he refused to submit a Diploma painting.
Stubbs was a fine observer of human beings – from stable lads to languid aristocrats – as well as horses. He also painted exotic animals, mythological works and poetic, rustic scenes of Haymakers and Reapers, 1785 (Tate Gallery, London). He experimented with mixed method engraving techniques and, with the help of his friend Josiah Wedgwood, in painting in enamel colours on Wedgwood ceramic supports. From the early 1790s Stubbs’s financial difficulties were ameloriated by the patronage of the Prince of Wales (later George IV), for whom he painted at least eighteen oils. Among Stubbs’s latest, most monumental images is the exhausted racehorse Hambletonian, rubbing down, 1800 (Mount Stewart House, Co. Down, NT). George Stubbs died in London in 1806."
SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters
(By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!)
LIST OF ARTISTS already posted on LearnFromMasters:
Thank you so much for your support!