Sophie Gengembre Anderson (1823-1903) - A collection of paintings 2K Ultra HD Silent Slideshow

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Landscape oil painting in just 18 minutes wet on wet

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Alfred Stevens (1823-1906) A collection of paintings 4K Ultra HD

Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter, known for his paintings of elegant modern women. Alfred Stevens was born in Brussels. He came from a family involved with the visual arts: his older brother Joseph (1816–1892) and his son Léopold (1866–1935) were painters, while another brother Arthur (1825–99) was an art dealer and critic. His father, who had fought in the Napoleonic wars in the army of William I of the Netherlands, was an art collector who owned several watercolors by Eugène Delacroix, among other artists. His mother's parents ran Café de l'Amitié in Brussels, a meeting place for politicians, writers, and artists. All the Stevens children benefited from the people they met there, and the social skills they acquired in growing up around important people. After the death of his father in 1837, Stevens left middle school to begin study at the Académie Royale des Beaux-Arts in Brussels, where he knew François Navez, the Neo-Classical painter and former student of Jacques-Louis David who was its director and an old friend of Stevens's grandfather. Following a traditional curriculum, he drew from casts of classical sculpture for the first two years, and then drew from live models. In 1843, Stevens went to Paris, joining his brother Joseph who already was there. He was admitted to the École des Beaux-Arts, the most important art school in Paris. Although it is said that he became a student of its director Jean Auguste Dominique Ingres, this is likely not true. An early picture by Stevens, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, shows his mastery of a conventional naturalistic style which owes much to 17th-century Dutch genre painting. Like the Belgian painter and friend with whom he stayed in Paris, Florent Joseph Marie Willems (1823–1905), Stevens carefully studied works by painters such as Gerard ter Borch and Gabriel Metsu. The single most important work from the second half of Stevens's career is the monumental Panorama du Siècle, 1789–1889, which he painted with Henri Gervex. Stevens painted the women and details and Gervex the men, with the help of fifteen assistants. It was shown to great acclaim at the International Exhibition held in Paris in 1889. He also received several great professional tributes. In 1895, a large exhibition of his work was held in Brussels. In 1900, Stevens was honored by the Ecole des Beaux-Arts in Paris with the first retrospective exhibition ever given to a living artist. Supported by patrons led by the Comtesse de Greffulhe, it achieved social cachet as well as popular success. In 1905, he was the only living artist allowed to exhibit in a retrospective show of Belgian art in Brussels. Despite these exhibitions, he was not able to sell enough of his work to manage well financially. Having outlived his brothers and most of his friends, he died in Paris in 1906, living alone in modest rooms. https://en.wikipedia.org/wiki/Alfred_Stevens_(painter) Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1

Bob Ross - Reflections (Season 2 Episode 8)

Truly picture perfect. A bright day and still water combine to make amazing mirrored images throughout this Bob Ross mountain masterpiece. Season 2 of The Joy of Painting with Bob Ross features the following wonderful painting instructions: Meadow Lake, Winter Sun, Ebony Sea, Shades of Grey, Autumn Splendor, Black River, Brown Mountain, Reflections, Black and White Seascape, Lazy River, Black Waterfall, Mountain Waterfall, Final Grace Subscribe to the official Bob Ross YouTube channel - http://bit.ly/BobRossSubscribe Originally aired on 10/19/1983

Art contemporain : le peintre Jean-Jacques PIGEON

www.lartenboite.com Ma caméra et moi avons une chance exceptionnelle !!! Nous venons de passer 31 jours dans l'intimité de l'atelier du peintre Jean-Jacques PIGEON. Une expérience marquante que je vous invite à partager avec cet essai filmique mis en musique par Quentin CHEVRIER. Une production L'art en boîte.

Alessandro Zezzos (1848-1914) A collection of paintings 4K Ultra HD

Alessandro Zezzos (1848-1914) was an Italian painter of genre scenes, costume scenes, portraits, and vedute, in watercolors and oils. He studied under Giacomo Favretto, Alessandro Milesi, and Luigi Nono at the Academy of Fine Arts in his native Venice. In 1873, he exhibited in Venice: Né sposo né figlio and Scena famigliare. In 1877 at Paris, Les saltimbanques and Les pingeons de Saint Marc. He was active as a painter in Venice. Among his watercolors are Le rondini, exhibited at 1880 at Turin; Una calle, exhibited at the 1891 Mostra Triennale of the Brera Academy. In 1881 at Milan, displayed the paintings: Mercante di ventagli; At the Predica, Half-figure of a Girl; and Popolana. In 1883 in Rome, exhibited: The Lovers. He painted Love Letter, Una fuga nel 1700; and The Dockside of San Marco. He sent to Paris in 1877-1878, the paintings: Pigeons of St Mark, El-Mazrama (Mouchoir of the Sultan), Los Saltimbanques, and A venetian - A Daughter of the People. He had a retrospective exhibit at the Castello Sforzesco of Milan in 1937. Umberto Boccioni was one of his pupils. Among his colleagues and fellow pupils of Favretto were Bartolomeo Bezzi, Guglielmo Ciardi, Antonio Dal Zotto, Pietro Fragiacomo, Emilio Marsili, Luigi Nono, Augusto Sezanne, and Ettore Tito. Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1

Sophie Gengembre Anderson (1823-1903) - A collection of paintings & drawings 2K HD silent slideshow.

A French-born British artist who specialised in genre painting of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.

Sophie was born in Paris, the daughter of Charles Antoine Colomb Gengembre, a French architect and artist, and his English wife, whose maiden name was Hubert

They lived in Paris during the early years of Sophie's life, where her father was acquainted with artists, intellectuals, and actors, like François Joseph Talma. Circumstances required that the family leave Paris and live in a "remote area in France" from 1829 to 1843. At seventeen she developed an interest in art when a travelling portrait painter visited her town.

She had two brothers, Philip and Henry P. Gengembre. Her brother Philip changed his name to Philip Hubert, using his mother's maiden name, and was a successful architect in New York City. She was largely self-taught in art, but briefly studied portraiture with Charles de Steuben in about 1843, when she lived with family friends in Paris. Soon after she began her studies, he left for Russia and did not return within the one year allotted for her studies. She did develop relationships with other women artists at the school where she gained a little more instruction.

The family left France for the United States to escape the 1848 revolution, first settling in Cincinnati, Ohio, where she met her future husband British genre artist Walter Anderson. Her brother Henry P. Gengembre (b. 1825) was also an artist, active in Cincinnati in the early 1850s.

Her portrait, figure and Brittany landscape paintings were exhibited in October 1849 at the Western Art Union Gallery. Also exhibited was a three panel set of Victorian London scenes entitled The Ladder of Love, which was described as "the lady, in her flowery 'May of Life,' awaits in her father's garden a stolen interview with her lover; in the second, she is seen eagerly caught in his impatient arms, ere he has yet left the ladder upon which he surmounted the garden wall; in the third, having received and given reveals of unfaltering love, she walks alone again - beautiful in the enrobing light of a summer moon, happy in the assurance that the warmth and devotedness of her affection is reciprocated."

Four or more of her illustrations were included in the Historical Collections of the Great West by Henry Howe. She collaborated with Walter Anderson, her future husband, on portraits of Protestant Episcopal bishops and created other portraits in her business.

She then lived in Manchester, Pennsylvania with her parents, where she is believed to have married Walter Anderson. She worked there for the chromolithographers Louis Prang & Company.

In 1854 the Andersons moved to London, where Sophie exhibited a still life of fruit, vegetables, game and fish entitled An American Market Basket at the Society of British Artists by 1855. It was considered an "admirable composition" made with "surprising truth". Her works were also exhibited at the Royal Academy. They returned to Pennsylvania in 1858 for a long visit with her family, during which time she exhibited at the Pittsburgh Artist's Association in 1859 and 1860. The latter year she and her husband had work shown at the National Academy of Design. She then settled in London again around 1863

Anderson's work was widely exhibited at venues including the Royal Academy, the Royal Society of British Artists (RBA), and the British Institution. Her work, Elaine, was the first public collection purchase of a woman artist.

Her oil painting, Foundling Girls at Prayer in the Chapel (mid-19th C- late-19th C), is displayed at The Foundling Museum; correlating well with Anderson's typical genre painting of children and women and the Museum's focus. The painting depicts the varying ages of the foundling girls, what they wore, and references the religious aspects of their life.

To manage her health issue, they moved to the Isle of Capri in 1871, where they lived, painted, and entertained society in a house with a large garden called Villa Castello. Capri was an artist colony at that time, its residents included Frederic Leighton, Walter McLaren, John Singer Sargent, Edouard Alexandre Sain, and Jean Benner. She exhibited at the Grosvenor Gallery between 1878 and 1887. Anderson made Italian genre and Neoclassical paintings, including paintings of peasant women and children. At a time when it was difficult for women to have a successful artistic career, these paintings, generally made by men, allowed for her to have a successful career.


https://en.wikipedia.org/wiki/Sophie_Gengembre_Anderson

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