Emil Carlsen: A collection of 183 paintings (HD)

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Jacek Yerka: A collection of 466 works (HD)

Jacek Yerka: A collection of 466 works (HD) [1080p] Description: "Jacek Yerka (born Jacek Kowalski in 1952) is a Polish surrealist painter from Toruń. Yerka's work has been exhibited in Poland, Germany, Monaco, France, and the United States, and may be found in the museums of Poland. Jacek Yerka was born in Toruń, Poland, in 1952. He was born into an artistic family with both his parents graduates from a local Fine Art Academy.His earliest memories were of paints, inks, paper, rubbers and brushes. As a child, Yerka loved to draw and make sculptures. He hated playing outside, and preferred to sit down with a pencil, creating and exploring his own world. This difference between the other children in his primary school led to social problems with his peers and Yerka describes his primary school life as being a "grey, sometimes horrifying reality". However, Yerka later became 'untouchable' in his high school due to his clever sketches of the school's worst bullies. Yerka had never intended to be an artist like his parents and was considering doing astronomy or medicine. However, a year before his final exam, he decided for the first time to try working with paint, which resulted in his decision to study fine art and graphic design instead. According to Yerka, during his period studying in the academy he was pressured by his instructors to eschew detail and realism in favor of the fashion of the times - but did not relent, adhering to the meticulous classic Flemish technique that still typifies his work. In time they came to see him as a brilliant - though troubled -talent. During his studies at the Academy, each day was split into two sections. In the morning and afternoon he had to do tests, projects and attend lectures, and during the evening he was given a couple hours to work at a painting that was shown only to his family and friends. He graduated from the Faculty of Fine Arts at Nicolaus Copernicus University in Toruń, specializing in printmaking. Yerka began working full-time as an artist in 1980. He had several contracts with galleries in Warsaw and also worked for commissions. He cites Hieronymus Bosch, Pieter Bruegel, Cagliostro, Jan van Eyck, and Hugo van der Goes as formative influences on his work. His subject matter ranges from odd beasts to whimsical landscapes incorporating extraordinary architecture, and includes imagery gleaned from his childhood, such as his grandmother's kitchen. Says Yerka, "For me, the 1950s were a kind of Golden Age ... If I were, for instance, to paint a computer, it would definitely have a pre-war aesthetic to it." In 1990, Yerka received a contract with Hollywood producer Renee Daalder to design figures, monster-machines and surreal landscapes for the science fiction film Strawberry fields. The film planned to combine both Yerka's work with songs from the Beatles and Yerka participated in the first stage of its production. Work typically progresses from a graphite sketch, to crayon drawing, then a pastel com, and finally an acrylic painting. " --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support!

How to Create Sellable Art

Tim Packer answers the question: "What is Sellable Art?" Sellable Art is great art with a unique voice. Great art must have a great concept, a great composition and be masterfully executed. A Unique Voice refers to that certain something that makes a painting instantly recognizable as the work of one particular artist. To develop a successful career an artist must be able to create great work with a unique voice. Like me on Facebook: https://www.facebook.com/timpackerfinearts Check out my Website: http://www.timpacker.com Follow me on Instagram: @timpackerfinearts

William Herbert Allen: A collection of 122 paintings (HD)

William Herbert Allen: A collection of 122 paintings (HD) Description: "William Herbert Allen (1863–1943) was a notable English landscape watercolour artist whose career spanned more than 50 years from the 1880s to the 1940s. He was invariably referred to as "WH" rather than by his given name. Born 14 September 1863 in West Brompton, London, of parents from Alton, Hampshire, Allen was for many years Director of the Farnham School of Art in Surrey. He produced several thousand watercolours, chalk and pencil sketches mainly of the landscapes, traditions and people of West Surrey and North-east Hampshire. In addition, he produced scenes of other parts of the British Isles and various parts of Europe. These works included commissions in Italy for the Victoria and Albert Museum, Dublin, Edinburgh and Preston museums. He was made a member of the Royal Watercolour Society in 1903 and the Royal Society of British Artists in 1904 and his work was exhibited at the Royal Academy in 1927. He moved from Surrey to Wylye, Wiltshire in 1932 and is buried at St Nicholas's Church, Fisherton de la Mere. Many of W. H. Allen's paintings are regularly displayed at the Allen Gallery, Church Street, Alton. These include landscapes of the local East Hampshire countryside at the beginning of the 20th century. Many of his paintings were produced "in the field" and are bold in their depiction of light and shadows, or of changing weather conditions. His studio works are generally larger and of greater detail. Very few were sold on the open market, but he did exhibit regularly at the major galleries and annual exhibitions. Allen embraced many styles and techniques from vivid, almost abstract, watercolours to more traditional oils and watercolours. His field sketches and studies are considered to be particularly successful and were painted in all weathers and conditions. He was a private and modest man who changed peoples' perception of their surroundings. In this he was helped by fellow Farnham resident and friend George Sturt, whose writings reflect Allen's approach to the recording of rural life and change. Thanks to their work, urban and rural landscapes began to be preserved at a time when "progress" was causing sweeping changes. In the 1880s, the depiction of life and work in the countryside was subject to two very different approaches, the traditional rural romanticism/sentimentality - thatched cottages with roses around the door and contented happy harvest scenes (e.g. Myles Birkett Foster), and that of social realism - recording child labour and exploitation, agricultural depression, bad weather, hard work and hard labour (e.g. Sir George Clausen). By the time Allen started recording the countryside around Farnham in the 1890s, Britain was in the grip of a severe agricultural depression which continued until the late 1930s, mirroring his artistic output." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!

BBC Artsnight What Has the Turner Prize Ever Done for Us Documentary

BBC Artsnight What Has the Turner Prize Ever Done for Us Documentary

Colin B. Bailey presents Fragonard's 'Progress of Love'

Emil Carlsen: A collection of 183 paintings (HD)

Description: "Emil Carlsen was born in Copenhagen on October 19, 1853. He studied architecture at the Danish Royal Academy between 1868 and 1872. He emigrated to America in 1872, settled in Chicago, and found work as an assistant to a local architect. For a time he also worked for a fellow Dane, the painter Lauritis Bernhard Holst (1848-1934). When Holst returned to Denmark in 1874, he turned his studio over to Carlsen, who had by this time decided to become a full-time painter. Upon the recommendation of the Chicago sculptor Leonard Wells Volk (1828-1895), Carlsen was appointed the first instructor at the newly formed school of the Art Institute.

In 1875 Carlsen returned briefly to Denmark and then went to Paris, where he stayed for six months. While there, he carefully studied the works of the eighteenth-century painter Jean Siméon Chardin (1699-1779). Returning to New York in 1875, the artist set up his own studio, but he had to supplement his meager income from painting by working as an engraver and designer. In 1879 financial difficulties forced him to hold an auction of thirty of his works, but the proceeds did not even cover the sale's expenses.

In the early 1880s Carlsen began to develop a reputation as a still-life painter. Commissioned by a dealer to paint saleable flower pieces, he returned to Paris in 1884, where he remained for two years, painting numerous brightly-colored pictures. Eventually, he grew tired of this repetitious work and broke the contract he had made with the dealer. Carlsen went back to New York and opened a studio on West 57th Street. He worked there until 1887, when he began a two-year tenure as director of the San Francisco Art Association's school. He resigned this post in 1889 but remained in San Francisco until 1891.

Carlsen again settled in New York in 1891 and began teaching at the National Academy of Design, where he would continue as an instructor until 1918. He was married in 1896 and numbered among his friends in New York William Merritt Chase, J. Alden Weir, and Childe Hassam. During the first three decades of the twentieth century his works were included in numerous exhibitions and he won many prizes. In 1911 he began an association with the New York dealer William Macbeth, and was given one-man shows at Macbeth's gallery in 1912, 1919, 1921 and 1923. Carlsen died in New York on January 2, 1932."

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MUSIC: Chris Zabriskie - Laserdisc
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