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The 100 Best Paintings by Painters posted in 2016 | LearnFromMasters (HD) Description: This is a retrospection of my activity last year, it represent 100 best paintings by painters i ever posted in 2016. --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com --- Thanks for all support, and Happy New Year!
Joaquin Mir Trinxet: A collection of 174 paintings (HD) Description: "Born in Barcelona in 1873, he studied at the Llotja School and was a disciple of Lluís Graner. He formed the Colla del Safrà group in 1893 with Isidre Nonell, Ramon Pichot, Julio Vallmitjana and Adriá Gual. Towards the end of the 19th century he was close to the artistic environment of Els Quatre Gats. In 1901 he travelled to Majorca with Ruisiñol and stayed at La Calobra, where he painted some of his finest works. Of particular note are the murals he painted for his uncle and sponsor Avelino Trinxet Casas. In 1903 he moved to Reus for health reasons and painted the landscapes of L'Aleixar and Maspujols starting in 1906. He also drew scenes of Barcelona for the magazines 'L'Esquella de la Torratxa' and 'Hispania'. He died in Barcelona in 1940." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
Raw audio + HD slides of a discussion held by Dr. Micah Christensen (PhD, History of Art, University College London) on the Belgian artist Théo van Rysselberghe, whose work was a rare and dynamic combination of classical figurative training and impressionistic color.
Vasily Polenov: A collection of 271 works (HD) Description: "Russian painter. He began a systematic study of drawing in 1856, first with the landscape painter Pavel Cherkasov (1834-1900), then from 1859 to 1861 with Pavel Chistyakov (1832-1919). He also took lessons with Chistyakov, whom he considered his most important teacher, in 1871 and early 1872, after finishing his academic course. From 1863 to 1871 Polenov studied at the St Petersburg Academy of Art, where he met members of the progressive wing of the Russian artistic intelligentsia, and occasionally in the faculty of law at St Petersburg University. The classical education he received at home, his academic training and lessons with Chistyakov led Polenov towards an 'exalted' history painting, although he personally inclined towards landscape. This dualism remained in Polenov's work for the duration, and not until the late 1880s and early 1890s did he achieve a stable relationship between the two forms. The whole of his student career and the initial postgraduate, scholarship period was largely taken up with historical works: from academic compositions, for example the Resurrection of Jairus's Daughter (1871; Pskov, Museum of History), for which he received the Grand Gold Medal and a travel bursary (in Germany and Italy, 1872-73, and France, 1873-76), to numerous pictures and sketches on subjects from antiquity and medieval history, executed in France or shortly after his departure from there, under the perceptible influence of Paul Delaroche (e.g. The Master's Right, 1874; Moscow, Tretyakov Gallery). At the same time he produced his first independent works, in the 1860s and early 1870s: landscapes in the surroundings of the Imochentsy estate in Karelia (e.g. Mountains, 1870; Moscow Tretyakov Gallery), and landscape studies and pictures executed from nature in Normandy in 1874 (e.g. Fishing Boat, Etretat; Moscow, Tretyakov Gallery). In 1876 he became an Academician. In 1882-95 he was professor of landscape painting at the School of Art in Moscow. He became interested in depictions of Christ and philosophical and religious questions. In 1905 he left the teaching staff of the Academy in protest against the massacre in St. Petersburg. In 1910-18 he managed the first folk-theatre in Moscow, and became active in the development of factory and village theatre." --- MUSIC: Kevin MacLeod - Drone in D Drone in D by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200044 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: LearnFromMasters01@gmail.com SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters (By donating at least 50$ you'll have acces to all artworks (JPEG files) collection already posted on this channel!) LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
ReMade in Chicago, Baumgartner Restoration is a second-generation art conservation studio in Chicago. Follow Julian as he completely restores a damaged painting. Baumgartner Restoration Instagram - https://goo.gl/mE96gT Baumgartner Restoration Website - https://goo.gl/9mzN1F Support Chicago Aussie https://paypal.me/Brandtman Painting - Self-portrait by Emma Gaggiotti Richards Music - Evolving Dawn by Paul Mottram Follow me Twitter - https://goo.gl/HklCN3 Facebook - https://goo.gl/C1C9DO Instagram - https://goo.gl/86wv9R Film by the Chicago Aussie
Theo van Rysselberghe: A collection of 186 paintings (HD)
Description: "Théo van Rysselberghe, Belgian painter, was born in Ghent in 1862. He studied art at the Academies in Ghent and Brussels, and in 1881 exhibited for the first time at the Salon in Brussels. After the success of the French Impressionists exhibition in Brussels in early 1880s, Théo van Rysselberghe began to explore their technique. In 1883 he became a co-founder of the avant-garde group of Brussels intellectuals ‘Les-Vingt’. In 1886 the painter traveled with the poet Emile Verhaeren to Paris, where he met Georges Seurat (1859-1891) and admired his painting ‘A Sunday Afternoon at the Island of Grande Jatte’. After the contacts with Neo-Impressionists in Paris Théo van Rysselberghe turned to Pointillism himself, becoming the main exponent of the style in Belgium. In the late 1880s- early 1890s the painter traveled in Spain, North Africa, the Middle East and Europe. From 1897 he lived in Paris.
After the death of Georges Seurat, Théo van Rysselberghe gradually abandoned the Pointillist technique. Despite their friendship Paul Signac often criticized him, thinking that Théo did it only for commercial success. We think that Impressionist style of brushwork gives more opportunities to a painter and van Rysselberghe’s switch from Pointillism was to broaden his methods of expressing himself.
Théo van Rysselberghe died in 1926 in St. Clair."
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