Agostino Tassi : A collection of 20 Paintings (HD) [Baroque]

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Frans Snyders : A collection of 90 Paintings (HD) [Baroque]

Frans Snyders : A collection of 90 Paintings (HD) [Baroque] #Frans_Snyders (Snijders) - Born: November 11, 1579; Antwerp, Belgium - Died: August 19, 1657; Antwerp, Belgium - Active Years: 1600 - 1657 - Nationality: Flemish - Art Movement: #Baroque - Painting School: Flemish School - Genre: animal painting, still life - Field: #painting - Teachers: Peter Paul Rubens Wikipedia: ________ Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens. Snyders was born in Antwerp as the son of Jan Snijders, the keeper of a wine inn frequented by artists. According to legend the famous 16th-century painter Frans Floris squandered his fortune in the inn. Snyders' mother was Maria Gijsbrechts. Snyders had five siblings. His brother Michiel also became a painter but no works of him are known. Snyders was recorded as a student of Pieter Brueghel the Younger in 1593, and subsequently trained with Hendrick van Balen, who was the first master of Anthony van Dyck. Snyders became a master of the Antwerp Guild of Saint Luke in 1602. He travelled to Italy in 1608-9 where he first resided in Rome.[3] The artist subsequently traveled from Rome to Milan. Jan Brueghel the Elder had introduced him there by letter to the famous art collector Cardinal Borromeo.[4] Brueghel asked Snyders to paint a copy after a portrait by Titian in the Borromeo collection. This is regarded as evidence that Snyders was a skilled figure painter before he turned his attention to still life painting. Snyders had returned to Antwerp in the spring of 1609. In 1611 he married Margaretha, the sister of Cornelis de Vos and Paul de Vos, two leading painters in Antwerp. His collaboration with Rubens started in the 1610s. Snyders had many patrons including the Ghent Bishop Antonius Triest who commissioned four paintings of market scenes around 1615 (Hermitage Museum, Saint Petersburg). He was a friend of van Dyck who painted Snyders and his wife more than once (Frick Collection, Kassel etc.). Snyders was commercially successful and was able to purchase a house on the high-end Keizerstraat in Antwerp. In 1628 he became the dean of the Guild of Saint Luke. ___________ Check out My work here ------------------ #BAROQUE [Post Renaissance Art] : #Northern_Renaissance [RENAISSANCE ART] : #Mannerism (Late Renaissance) [RENAISSANCE ART] : #HIGH_RENAISSANCE [Renaissance Art]: #EARLY_RENAISSANCE [RENAISSANCE ARTS] : #PROTO_RENAISSANCE [Renaissance Art] : #Medieval_Art : THE HIGHLIGHT: Updating ... _____ SUBSCRIBE: Google+: Twitter: Facebook: Contact: Thank you for your support! :| 9Tv |: No Arts No Life © Copyright by 9Tv

Pieter Aertsen : A collection of 51 Paintings (HD) [Northern Renaissance]

Pieter Aertsen : A collection of 51 Paintings (HD) [Northern Renaissance] #Pieter_Aertsen - Born: 1508; Amsterdam, Netherlands - Died: 03 June 1575; Amsterdam, Netherlands - Nationality: Dutch - Art Movement: #Northern_Renaissance - Genre: genre painting, still life - Field: painting Wikipedia: _______ Pieter Aertsen (Amsterdam, 1508 – 3 June 1575), called Lange Pier ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder. He was apprenticed with Allaert Claesz. He then travelled to the Southern Netherlands and took up residence in Antwerp, first with his compatriot Jan Mandijn. Aertsen became a member of Antwerp's Guild of Saint Luke. In the official books of the Guild he is recorded as "Langhe Peter, schilder" (Tall Peter, painter). In 1542 he became a citizen (poorter) of Antwerp. He also got married to Kathelijne Beuckelaar, the daughter and sister of an Antwerp painter and aunt of Joachim Beuckelaer and Huybrecht Beuckeleer. Of the couple's eight children, three sons, Pieter, Aert, and Dirk became successful painters. Aertsen returned to Amsterdam in 1555-56. Notable pupils who trained in his workshop included Stradanus and Aertsen's nephews, Joachim Beuckelaer and Huybrecht Beuckeleer. Joachim Beuckelaer continued and further developed Aertsen's style and subject matter of painting. After beginning by painting religious works, in the 1550s he developed the painting of domestic scenes in which he reproduced articles of furniture, cooking utensils, and food with great flair and realism. His Butcher's Shop, with the Flight into Egypt (Uppsala, 1551) "has been called the earliest example of Mannerist inversion of still life in Northern painting", showing the "lower" subject matter far more prominently than the subject from history painting. A similar inversion in landscape painting had been developed by Joachim Patinir in Antwerp several decades earlier when he invented the world landscape. Unlike these, in Aertsen's works the genre material dominates the front of the image, with the history scene, normally religious, easy to overlook in the background. This pictorial technique drew on the paintings of another Antwerp artist, Jan Sanders van Hemessen, whose genre treatments of religious and moral scenes had smaller scenes inset into the background in a similar way. ___________ Check out My work here ------------------ #BAROQUE [Post Renaissance Art] : #Northern_Renaissance [RENAISSANCE ART] : #Mannerism (Late Renaissance) [RENAISSANCE ART] : #HIGH_RENAISSANCE [Renaissance Art]: #EARLY_RENAISSANCE [RENAISSANCE ARTS] : #PROTO_RENAISSANCE [Renaissance Art] : #Medieval_Art : THE HIGHLIGHT: Updating ... _____ SUBSCRIBE: Google+: Twitter: Facebook: Contact: Thank you for your support! :| 9Tv |: No Arts No Life © Copyright by 9Tv

Peter Paul Rubens : A collection of 456 Painting (HD) [Baroque]

Peter Paul Rubens : A collection of 456 Painting (HD) [Baroque] #Peter_Paul_Rubens Sir Peter Paul Rubens - Born: June 28, 1577; Siegen, Germany - Died: May 30, 1640; Antwerp, Belgium - Nationality: Flemish - Art Movement: #Baroque - Painting School: Flemish School, Antwerp School - Field: #painting - Influenced by: Titian, Pieter Bruegel the Elder, Caravaggio, Hans Holbein the Younger - Influenced on: Gustave Courbet, Frans Hals, Rembrandt, John Constable, Théodore Géricault, Eugene Delacroix, Rosa Bonheur, Jenny Saville, Claudio Coello - Teachers: Tobias Verhaecht, Adam van Noort, Otto van Veen - Pupils: Anthony van Dyck, Jacob Jordaens, Frans Snyders - Friends and Co-workers: Diego Velazquez Wikipedia: _______ Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish artist. He is considered the most influential artist of Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, color, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly "history paintings", which included religious and mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand of Austria in 1635. Rubens's depiction of males is equally stylized, replete with meaning, and quite the opposite of his female subjects. His male nudes represent highly athletic and large mythical or biblical men. Unlike his female nudes, most of his male nudes are depicted partially nude, with sashes, armour, or shadows shielding them from being completely unclothed. These men are twisting, reaching, bending, and grasping: all of which portrays his male subjects engaged in a great deal of physical, sometimes aggressive, action. The concepts Rubens artistically represents illustrate the male as powerful, capable, forceful and compelling. The allegorical and symbolic subjects he painted reference the classic masculine tropes of athleticism, high achievement, valour in war, and civil authority. Male archetypes readily found in Rubens's paintings include the hero, husband, father, civic leader, king, and the battle weary. Rubens was a great admirer of Leonardo da Vinci's work. Using an engraving done 50 years after Leonardo started his project on the Battle of Anghiari, Rubens did a masterly drawing of the Battle which is now in the Louvre in Paris. "The idea that an ancient copy of a lost artwork can be as important as the original is familiar to scholars," says Salvatore Settis, archaeologist and art historian. __________ Check out My work here ------------------ #BAROQUE [Post Renaissance Art] : #Northern_Renaissance [RENAISSANCE ART] : #Mannerism (Late Renaissance) [RENAISSANCE ART] : #HIGH_RENAISSANCE [Renaissance Art]: #EARLY_RENAISSANCE [RENAISSANCE ARTS] : #PROTO_RENAISSANCE [Renaissance Art] : #Medieval_Art : THE HIGHLIGHT: Updating ... _____ SUBSCRIBE: Google+: Twitter: Facebook: Contact: Thank you for your support! :| 9Tv |: No Arts No Life © Copyright by 9Tv

Lecture: Jesse Locker – Artemisia Gentileschi: The Fortunes of a Female Painter in Baroque Italy

Recorded on May 22, 2016 at the Portland Art Museum

Guido Reni : A collection of 187 Paintings (HD) [Baroque]

Guido Reni : A collection of 187 Paintings (HD) [Baroque] #Guido_Reni Born: 04 November 1575; Bologna, Italy Died: 18 August 1642; Bologna, Italy Nationality: Italian Art Movement: #Baroque Painting School: Bolognese School Field: #painting Influenced on: Nicolas Poussin Teachers: Annibale Carracci Wikipedia: ________ Guido Reni (4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicholas Poussin and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi. At the age of nine, he was apprenticed to the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Ludovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Lodovico's cousin Annibale Carracci to Rome. Reni completed commissions for his first altarpieces while in the Carracci academy. He left the academy by 1598, after an argument with Ludovico Carracci over unpaid work. Around this time he made his first prints, a series commemorating Pope Clement VIII's visit to Bologna in 1598 ___________ Check out My work here ------------------ #BAROQUE [Post Renaissance Art] : #Northern_Renaissance [RENAISSANCE ART] : #Mannerism (Late Renaissance) [RENAISSANCE ART] : #HIGH_RENAISSANCE [Renaissance Art]: #EARLY_RENAISSANCE [RENAISSANCE ARTS] : #PROTO_RENAISSANCE [Renaissance Art] : #Medieval_Art : THE HIGHLIGHT: Updating ... _____ SUBSCRIBE: Google+: Twitter: Facebook: Contact: Thank you for your support! :| 9Tv |: No Arts No Life © Copyright by 9Tv

Agostino Tassi : A collection of 20 Paintings (HD) [Baroque]

- Born: 1578; Perugia, Italy
- Died: 1644; Rome, Italy
- Nationality: Italian
- Art Movement: #Baroque
- Genre: landscape
- Field: #painting
- Teachers: Paul Bril
- Pupils: Claude Lorrain
Friends and Co-workers: Orazio Gentileschi
Agostino Tassi (Perugia, 1578– Rome, 1644) was an Italian painter of landscapes and seascapes, who is now best known as the rapist of Artemisia Gentileschi.

Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi. He was actually the son of a furrier named Domenico.

Tassi may have worked for a time in Livorno, as well as in Florence. Among his followers or pupils in Livorno is thought to be Pietro Ciafferi. During his sojourn in Florence it is believed that he was made a galley slave in the Grand Duke's convict galleys for some unspecified crime. However, he was allowed to move about freely on the ship instead of pulling on an oar. More importantly, he was able to paint and draw on the galley, and was thus provided with ample material from which to execute his seascapes and images of ports, ships, and fishing scenes.

Regarding his artistic formation, Tassi is said to have been a pupil of Paul Bril, from whom he derived some of his images of the sea. He later worked in Rome with Orazio Gentileschi, who painted figures, after being commissioned by Pope Paul V. During his stay, he raped Orazio's daughter, the painter Artemisia Gentileschi.

Considered a master of perspective and a good painter of illusionistic architectural decoration, Tassi painted in several Roman palaces including the Quirinale (1611–12), the Rospigliosi and the Doria Pamphili (1637).

In Rome, Tassi also served as the master (from April 1625) of French painter Claude Lorrain. Tassi hired Lorrain to grind his colors and to do all of the household work.

Though better known as a painter of frescoes, Tassi also painted some canvases, which include Arrival of the Queen of Sheba before Solomon (c. 1610) and Entry of Taddeo Barberini from the Porta del Popolo (1632). His depictions of night scenes had a certain influence on the Dutch Leonaert Bramer.
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